Werewolf: I'm the Only One Who's Truly Brilliant Here

So far, it's okay, but it's a bit confusing at the beginning. There's no magician acting behind the werewolf! Generally speaking, it's still okay. The remaining star depends on your update speed and subsequent quality.

Compared with the World-Destroying Witch, the story aspect is greater than the competitive aspect. That book is very logical and can be used as a learning model for Werewolf. This is a story that has a lot more to it. The magician's action flow at the beginning is a bit uncomfortable, but otherwise it's okay. If you can accept the magician, then congratulations, it will get better and better in the future. This is the kind of force that comes from behind. If the front feels like a 6, then the back feels like a 9. The back is very comfortable

It's very well written. I just like the all-around perspective. It's fun to watch. It's so tiring to impose logic. It's a waste of my brain. The male protagonist has too many thoughts and expressions, which makes it feel very fragmented. He keeps talking about how to take care of girls. I'm convinced, I don't even have a heroine anymore and I still do so many things.

Ah this? This seems to have a very similar beginning to the book about Witches Destroying the World

Follow up the review and listen to the book throughout. The author is very good at creating program effects. The protagonist takes all the focus positions, and each one has a certain depth and performance. The gameplay and characters of others are also relatively complete. It feels like a werewolf killing! If you give a low score in the comment area, I will also give the author a vote: 1. I saw some comments complaining that the focus throughout the entire process was unreal. The focal point is exciting. It's hard to play a rare game in a novel. It's a pity that the protagonist doesn't play special cards and perform special operations. Moreover, believe it or not, once the author writes that the protagonist takes civilians, then the reading experience of the novel will become that either the protagonist cannot operate well, or the protagonist's behavior is illogical. There are few civilian operations and a single perspective. Even if the game is broken, it can only stand on the opposite side. Logically speaking, if it is pushed back and there is no way to do it well, then as a novel, it is over. Anyway, it's easy to get criticized anyway, wouldn't it be more favorable if every game is written wonderfully? 2. Some people say that the werewolf killing written by the author has no logic. After reading all the games, I don't feel that the author has obviously ignored a certain piece of logic and failed to consider it. It is normal for hundreds of thousands of words to be written about small bugs, but they do not affect the situation and the big logic. First of all, it is normal for everyone to have different initial perspectives and preferences when playing Werewolf, so there are often several logics and emotions that are connected. Secondly, interviewing relies heavily on emotions and speeches. The time limit is 12 people talking for half an hour during the day. It is not enough to determine the logic and vote based on everyone's attitude. So it's about seeing who can do better within the time limit.

It's okay, I can see it, but the score has been maliciously brushed? The more I write, the more it drags on, and the plot drags on, as if it were a different author.

Marvelous!!! It's just that there's too little, so I finished it in one day.

Even the donkeys in the production team dare not rest like this

So far the writing is pretty good. But werewolf killings are generally difficult to end. It depends on the author's penmanship.

It's quite interesting to watch, but it's a pity that the plug-in is from a global perspective and ignores logic. I personally prefer to watch the protagonist's logic to find the wolf and suck the god.