Gu Qiniang, who died before leaving the army, fell off a cliff and died and was resurrected in the body of Meng Shuyao, the legitimate daughter of the salt envoy.
In the Meng Mansion, Gu Qiniang punished the evil servants, fought against the evil aunt, concubine, and eccentric grandmother. She wanted to take back everything that belonged to the original owner.
According to an imperial edict, she was appointed to be married to the frail prince as his concubine. On the day of the wedding, the door of the prince's palace was closed. Gu Qiniang picked up a sledgehammer and aggressively smashed open the door of the prince's palace, ruining the face of the domineering concubine. She broke the neck of the rooster who worshiped the prince with her bare hands, and beat the female official sent by the imperial concubine to the prince's palace to conduct the wedding.
Gu Qiniang, who became the crown prince, used thunderous means to seize the power of the imperial concubine from a group of concubines and concubines with ill intentions. She changed from a life-threatening murderer who took on the task of assassinating the prince to a patron saint to protect the prince's long life.
What Gu Qiniang didn't expect the most was that the sickly and coquettish prince, who seemed to have few days of good life, dragging his sick body around all day long, and taking breath for a long time even if he spoke more than two words, was the most hidden king of Chen Kingdom.
Reader comments
Perhaps you have read too many Shuang novels and are a little bored of this type of palace fighting, but the characters are well portrayed, including Bailihan's decisiveness and perversion, Bailitu's ruthlessness and methods, Duanmu's infatuation, Qi Bulai's stability, Tan Yang's grievance and perseverance, Qiniang's methods and the viciousness of the supporting characters. It has nothing to do with wit, but it is also exciting.
Perhaps you have read too many Shuang novels and are a little bored of this type of palace fighting, but the characters are well portrayed, including Bailihan's decisiveness and perversion, Bailitu's ruthlessness and methods, Duanmu's infatuation, Qi Bulai's stability, Tan Yang's grievance and perseverance, Qiniang's methods and the viciousness of the supporting characters. It has nothing to do with wit, but it is also exciting.