A Strange Girl and I Transmigrated to a World of Immortals and Demons

How should I put it? After reading the whole story, I think it is very good. Judging from the current plot, I want to give it 5 stars. However, in the previous article, I did not like the character of Zhang Dapang. I feel that the author did not create such a supporting character better. As for that, it is difficult to say, but one thing is about the issue of realm. I think it depends on the Tianzi: the Tianzi of the protagonist is classified as the highest level in the water palace, that is, excellent, and the protagonist can be excellent. The worst thing is that a genius of the same level can break through one month ahead of the protagonist, but Zhang Dapang, who is two levels behind the protagonist, can keep up with the protagonist (the breakthrough time difference is very short). This is unreasonable. Moreover, before the competition, the protagonist could only barely defeat Zhang Dapang when he did not break through to the late stage, and Zhang Dapang was only top 32 in Tutang. Does this make Tutang too strong? I know that the early stage gap will not be too big, but is the gap in talent a bit too vague? And I didn't read in the article that Big Fatty Zhang worked harder than the protagonist. Instead, I read that the main character worked not only harder in practice, but I thought he worked harder than Big Fatty Zhang from beginning to end. Regarding the protagonist losing the first time they competed, it's understandable to lose because of experience, but I don't understand why they lost due to spiritual energy. The earth element is more durable than the water element? Then when I was buying storage bags and weapons, I didn't understand that Big Fatty Zhang had more contribution points than Gu Juan. The difference between inner and outer disciples was 10 points every month. Gu Juan must have wasted a lot or didn't complete a task to be surpassed. Moreover, if the difference in contribution value is due to the number of tasks completed, why would I read in the book that Big Fatty Zhang is stronger than Gu Juan? Doesn't cultivating immortality depend on talent? And I don't think Gu Juan will practice hard without working hard. After all, he carries the hatred of his father. Not to mention that this hatred will make Gu Juan more persistent and stronger, but at least he will not slack off. The above are the points where I am not satisfied with the previous content. Don't say that I am not criticizing, because I think this book is very good, and I am looking forward to the subsequent plot. Therefore, my requirements for this book will naturally not be the same as those for brainless novels. I naturally hope to be better in details, especially the basic talents and realms of novels about cultivating immortals, which require details. I hope the author can write better.

It started to be interesting, the writing is very good, I believe it will become more and more interesting later on. A very wonderful traditional fairy tale, fairy and demon, spiritual energy and turbid energy, spiritual cultivation and turbid cultivation. This is a wonderful story and song.

As of now, Chapter 113 is very good, and it conforms to the characteristics of the mortal cultivating immortality style. However, the protagonist is not very lucky and has little opportunity to promote the development of the plot. Perhaps this is the fate of most mortals.

I've listened to chapter 60 and am still expressing the author's basic settings for the book. I haven't started formal training yet. It's too ink. I don't have the patience to continue listening. Moreover, the main character is a bit dull and not very smart. Look at Han Laomo. The four spiritual roots are useless. Although they only developed by holding the sky bottle, they have ten thousand tricks to fight for opportunities and socialize with others. They have good understanding. In short, they are very smart. His achievements include a clever mind and a stable mind. The holding of the sky bottle is indispensable. This book is too overwhelming for my senses. I am planning to write 10,000 chapters. I feel that the author did not control the rhythm of development well. Or the author just wants to express that he has not considered controlling the rhythm in the design of the story. I have no patience to listen to it anymore.

The writing style of the author of this book may not be so amazing, but the artistic conception of his writing seems to me (it's just me and you don't know) very peaceful, peaceful and slow. Maybe my wording is wrong, but it's almost the same. In this era where everything is extremely fast, this tranquility and slowness are rare. Maybe it's because I have less experience. (If you have more experience, say less.) I hope the author will stick to it and don't run away midway or just end it at the speed of light. It can be seen that the data of this book is not very optimistic, but there are still many people who are supporting it and hope that the author can finish the book (not at the speed of light). I am just an ordinary worker and I have the ability. I will occasionally support the author. Come on! 🥺

It's well written, come on, it's better than those little white articles that have no logic, but it's too short.

I saw Chapter 20, "Good Water", and another one emphasizing the democracy of the Red Country. I was complaining about the same old articles before, but as I wrote this, I came to the familiar one again. I was taken in by someone, and then the person I took in died. Next, I was ready to enter the Immortal Sect, and then I talked about my sister at first, but then I was afraid that I couldn't control it and couldn't stand it. It felt like it was no different from other articles. I've automatically figured it out. It's already been 20 chapters and I haven't seen the woman whose name is related to it.

It is important to have a complete world structure, but if it is fully developed in a few chapters, it is difficult for people to read. How to use the least language and reflect these contents through the plot can highlight the power of writing. Reading the first few dozen chapters, you can see that the author is laying out a hidden line, but the hidden line contains more words than the protagonist's main line. Even the protagonist's main line is too unclear, making it difficult for people to read. The author's introduction is very interesting, "the style of writing on the Internet". We don't want to be so honest. We have to understand what the audience wants to see and what online articles are. At the same time, we need to have sufficient writing skills to be able to talk about the so-called "righteousness".

The storyline is quite good. Unlike most novels about cultivating immortals, there are not too many brainless plots. The protagonist's character setting is also different from most of the current fairy tales. At least it is not the old-fashioned model where the protagonist is either garbage or the system. The improvement of strength is also step by step, and there is no one-stop success. But I also hope that the storyline will be less mundane, as it will make people bored after watching it for a long time. At the same time, I also hope that the protagonist can go out and have some adventures in the future when he has a certain strength, instead of staying in the sect all the time. I also hope that the appearance of too many high-powered characters who exceed the protagonist's strength can be reduced, so that it can also add a little mystery to the strong ones.

It's not bad. Different from traditional spiritual novels with intrigues and dangers, this novel shows a more upright spiritual life. Many other novels don't pay much attention to the issue of practicing professors. This book is more comprehensive, and the portrayal of the time-traveling heroine is very impressive.