(Not a one-woman romance + justice served + no saintly heroine + the male lead indulges no one but his love interests! The synopsis is for reference only!)
Breaking up with Nangong Xianwan was something Tantai Jiayou had no choice but to do.
Who could have expected that on the very first day of school, he would discover she had become his university professor?
As one thing after another unfolds, Tantai Jiayou realizes there may be more to himself than meets the eye.
As a ghost emissary, he knows that ghost emissaries cannot have children. So how could Nangong Xianwan be pregnant?
What’s more, Tantai Jiayou meets one remarkable woman after another, and every one of them becomes entangled with him!
As the plan shrouded in mystery begins to unfold, pain follows in its wake.
What does it feel like to descend into the abyss, one step at a time?
When cold and indifference flood his entire being, there is no trace of human emotion left in Tantai Jiayou’s scarlet eyes. What fate awaits the women around him?
Can't the male protagonist explain the reason for the breakup to the female protagonist Nangong? What's the harm in explaining why? Do you have to hide it?! Don't you know that problems in relationships occur because misunderstandings occur because the two people don't understand each other? I found that many authors really like to play this routine, which is really speechless. The male protagonist's "not telling" is obviously an irresponsible and scumbag act! I think it is quite shameless to hurt someone who loves you. Shameless. Why is your hero still upset? Not qualified. Originally, she is a pretty normal person, but if you insist on irritating her with words that she least wants to hear, there is something really wrong with her. Even if you, the author, use this method to activate the yandere attribute of the heroine. But I think writing this way will make readers think that there is something wrong with the male protagonist's character. The setting is flawed. Your method of character creation is really a bad idea! Is it possible? Are "yanderes" always forced out? Isn't it just that people like them are born like this?
Now the overall feeling of this book is good for teachers, but are you repeating it in chapters 25 and 33? You said in chapter 25 that he had already dragged the bamboo thing into the underworld, and then he took it again. What happened? It's a bit messy.
Author, are you planning to rewrite the entire novel? Chapters 1 to 11 have been completely changed, resulting in chapter 12 not being able to be continued. It feels like reading a novel for the first time, then reading it again and reading another novel🤦🤦
Many people say that they don't understand the order of this book, but I think this book is very good. First write about the process, then write about it later, then write about the reason, and then finally write about the result. Although this will be counterproductive, it will attract readers a little bit after reading it.
Everything is okay, but some of the plots are very incoherent. I didn't jump into any of them, but some names and characters that I haven't seen before popped up.
In fact, it's pretty good, but sometimes the plot is not very coherent and can easily make readers confused. The characters could be more vivid and the plot could be more close-up. The subject matter is still good, and I feel like it could be improved upon.
The good reviews are so good
It's so confusing. The plot is so confusing that I can't understand it at all.
No, the names of the male protagonist and female protagonist are so outrageous [shocked]
It's pretty good, but why did it take me an hour to read Chapter 11? Don't watch blanching.