A Hundred Flavors of Life with the Shipgirls

The author's writing style is very good. This book breaks away from the usual routine of Kan Niang novels. The protagonist's experience is very depressing, but very real. It really surprised me among Kan Niang novels that don't have many tomatoes. It's just a pity that it is not long and there are not many readers.

I really like this book. There are fewer and fewer people writing about ship girls nowadays, and most of them are not very good to read, especially when the author describes the emotions of ship girls in such detail. The author must not stop updating!!! The author must not stop writing!!! It's hard to find such a high-quality and tasteful book @marshal

This is the first time I've seen such a beautiful Azur Lane fan. I have a hunch that this book will definitely be a hit

The Book of Gods is very enjoyable to watch, and the plot is also very exciting. I hope the author will speed up the coding while maintaining such high-quality updates. Not why, why is such a beautiful novel only rated 6. Or more? I really don't understand. This book is really good.

Although it is depressing, it is very realistic.

Although the writing is not very good, I still give myself a thumbs up.

It's rare that there aren't many protagonists of shipgirl fan fiction who can handle things. After all, hundreds of shipgirls also need a protagonist with a sense of control to be able to hold them in check. Although Azur Lane is a two-dimensional movie, if the protagonist has a nerd mentality, I can only say that I am tired of reading that kind of peach novel.

Yes, I hope it will develop into a story where the commander and the royal and other ship girls fight each other, completely break up, and regret after learning about the commander's experience from the siren.

This is reality It's a good novel, but not suitable for most people

The biggest bug I feel now is that Befa only asked the Gendarmerie where these files came from, but never asked the protagonist any substantive questions, such as where he has been in the past few years and what he has done. And it gives me a feeling that the author is avoiding this problem and doesn't know how to deal with it, choosing a vague processing method, such as remembering the game I played four years and ten months ago and remembering how many wedding ships and ship girls there are (to be honest, if you ask me, I have forgotten all the characters in the game I played five years ago, and I only have a rough impression, but if you ask me how many there are) I forgot about the characters, I only remember a few that made a deep impression; for another example, from the drama I watched four years ago, my wife only remembered one or two (Kaguya); I say these to simply prove that the memory of four years ago cannot recall so many at once), and directly brought it into the game I played before, and many places here were directly blurred. It can be seen that the author is not deliberately writing in the direction of black, deep and residual (black and deep residual is definitely the fandom written by those stupid writers from last year to this year, and deliberately writing black and deep residual content is considered a yes), but the author does not know how to deal with this issue in detail, which makes me feel that it is not smooth, not to say that it is not good, but, emm, you know, besides, it is an act of teaching authors to write books, which I hate. In the end, this book is basically logically self-consistent, and it is considered to be the best among the Kan Niang novels I have read (it is tentative because it has not been finished yet, and the ones I read last year were all thunderous). I hope the author will pay attention to avoid minefields, and I wish the author better and better results.