When I come to Zongman, I know a lot of people's lives or plots, but I believe in non-interference.
One person's fate should not be rewritten by another person's "spoilers".
Not some noble principle, just respect.
So Yinglili, you like An Yilun, right?
Bang, Kamiya Makoto has an extra handprint on his face.
Makoto Kamiya touched his face and looked at Eiri with tears in his eyes, feeling confused.
Reader comments
The AI polishing is quite obvious (it's harmless), and there's nothing much to say about the writing. It feels like the protagonist has a relatively weak anchor point for traveling through this world. To use that sentence, it is "Why do people live? - I don't know. I watch them live, so I live." But without this human-machine feel, I might have just quit the book after reading a few chapters.
Summary: This is one of the better books in S. It can be used to kill time, but it is not suitable for long-term viewing. You will feel confused after reading it for a long time (for example: What am I reading? Why am I reading this?)
Correction, it's just a piece of cake. There may be a little bit of meaning in the front, but later on, the previous settings are like being pushed into a trap [face covering]. Isn't there another way to take a character offline? Does it have to be so abrupt?
The male protagonist is a Fulian type, a bit bland in taste, but it's still very good if you look closely [laughs]
It's strong and the AI polishing is fine, but why do Yinglili and the protagonist's home alternate between a house and an apartment? There's a strong sense of separation. Please be careful.
How to make this book readable: Don't rush to reveal the will of the world at the beginning, but let the daily routine go on, then modify some of the details, and then let the protagonist notice it through a major event. The protagonist recalls what changes have occurred in the past daily life, and finally the truth is gradually exposed.
Single heroine? Why multiple heroines?
The author's writing style is very good, well written and delicious.
The AI polishing is quite obvious (it's harmless), and there's nothing much to say about the writing. It feels like the protagonist has a relatively weak anchor point for traveling through this world. To use that sentence, it is "Why do people live? - I don't know. I watch them live, so I live." But without this human-machine feel, I might have just quit the book after reading a few chapters. Summary: This is one of the better books in S. It can be used to kill time, but it is not suitable for long-term viewing. You will feel confused after reading it for a long time (for example: What am I reading? Why am I reading this?) Correction, it's just a piece of cake. There may be a little bit of meaning in the front, but later on, the previous settings are like being pushed into a trap [face covering]. Isn't there another way to take a character offline? Does it have to be so abrupt?
The male protagonist is a Fulian type, a bit bland in taste, but it's still very good if you look closely [laughs]
It's strong and the AI polishing is fine, but why do Yinglili and the protagonist's home alternate between a house and an apartment? There's a strong sense of separation. Please be careful.
How to make this book readable: Don't rush to reveal the will of the world at the beginning, but let the daily routine go on, then modify some of the details, and then let the protagonist notice it through a major event. The protagonist recalls what changes have occurred in the past daily life, and finally the truth is gradually exposed.
Single heroine? Why multiple heroines?
The author's writing style is very good, well written and delicious.