Furniture art is a new discipline that emerged under the development situation of various cultures and arts in the 1980s. It is a product of the development of Chinese culture and art. Today we study, learn from, and summarize the precious heritage left by our predecessors, with the purpose of inheriting and carrying forward the Chinese furniture art, summarizing historical experience, and serving the development of modern new furniture. It is not only a major mission given to us by history, but also an excellent topic for us to publicize our motherland's historical and cultural knowledge and conduct patriotism education.
This book mainly focuses on the development, types, styles, structures and decorations of Chinese classical furniture, supplemented by cross-narratives on identification methods of Ming and Qing furniture, collection and investment techniques, etc., Allowing readers to clearly understand the style characteristics of classical furniture in different periods, and quickly find the corresponding identification methods to determine collection and investment strategies.
Reader comments
This book is detailed in content and easy to understand in language. It provides a comprehensive introduction to the development history, types, styles and other aspects of Chinese classical furniture. By reading this book, I learned that furniture is not only a practical product, but also carries rich cultural connotations. Moreover, some identification methods and investment skills in the book are also very practical and have certain reference value for people who like classical furniture. However, I don't really like the over-emphasis on class status in the book, which feels a bit restrictive. But overall, this is a good book worth reading.
This book is detailed in content and easy to understand in language. It provides a comprehensive introduction to the development history, types, styles and other aspects of Chinese classical furniture. By reading this book, I learned that furniture is not only a practical product, but also carries rich cultural connotations. Moreover, some identification methods and investment skills in the book are also very practical and have certain reference value for people who like classical furniture. However, I don't really like the over-emphasis on class status in the book, which feels a bit restrictive. But overall, this is a good book worth reading.
Good book, study and study