Sprawling Annihilation

Leave a comment, it's okay if someone scolds me, please. [Blowing kiss] 0. Some people say that I don't know how to name it. Let me give it a title like Lu Feng or a light novel. Okay, I'll satisfy you. Do I need to change the name? From now on it will no longer be called "Crawling Annihilation", but the title below will be used. "The consciousness uploader who was not allowed to be a slave, after defeating real humans, was willing to sell himself as a slave in the virtual world" "The cheap dog slave Shou who was branded with a spiritual brand, after being replaced by a machine master named Gray Gu, climbed step by step to become the evil emperor Shou, and gained power over the world" ... Forget it, I won't change it anymore. 1. In fact, the parallel universe is just a conflict between new and old settings. I didn't want to change the old settings, nor did I want to unify the old settings with the new ones, and because the old settings were also very interesting, I just messed them up and created two parallel universes. Moreover, the protagonists cannot be unified, so they are simply messed up and turned into shadow clones in parallel universes. 2. Regarding the problem of setting at the beginning, "It ends at the beginning. Readers are interested in reading new books for 3 minutes. If they don't attract me within 3 minutes, it will end immediately." "The Three-Body Problem" also begins with the Cultural Revolution. If you say "it ends in three minutes," the Cultural Revolution ends at the beginning of Three-Body Problem. Other readers come to read science fiction, but the whole Cultural Revolution ends at the beginning. If I hide the settings, I'm afraid readers will criticize me for being perfunctory. Neither the east nor the west. So it can't be changed. Let's put it this way, I should display what should be displayed, and leave blank what should be blank. Do you mean that I should display what should be blank, or should I leave blank what should be displayed. 4. Liu Cixin has always been inclined to: The entity is white and the virtual is black. The collective is white, the individual is black. Justice is white, selfishness is black. Struggle is white, sinking is black. Planning is white, emergence is black. ... But reality is not black and white, reality is gray. The same goes for science fiction, there are high-rise buildings and sewers. The starry sky exists not only when looking up from high-rise buildings, but also in the psychedelic dream of being poisoned in the sewer. Some people say that I write sewer science fiction. You are right, I know what I am writing. Copying a comment from Zhihu: When you praise the glory of human civilization, the greatness of large-scale machine industry, and the epic opera that imagines the boundless space, you should see that it is the bloody capital that lubricates the machine, and you should see the numerous bones of the working class under the base of the machine tool. 4. In fact, my original intention of writing this work was to write a grand narrative in the context of cyberpunk. What would happen if all the civilizations in the Trisolaris were on the earth and took place inside the solar system. What would happen if the civilizational gap within Cyberpunk was larger than or the same as that of Trisolaris? But if you write it like this, it will seem too empty and lack the sense of inclusion. So I tried to put a piece of content about Chinese education in front of it, and a piece of content about the Cultural Revolution in front of the three-body problem to increase the reader's sense of involvement. That's the original intention. But writing this way caused resentment among readers, and I had no solution for this. Either sacrifice the sense of substitution or sacrifice the heat, it's a dilemma. 5. It is not only impossible but also unrealistic to fully explain the huge world view in a short space of time. So I won't force it. At present, I can't give a solution. The only solution is to increase the length. Put the entire worldview into it. Now I can only put the frame up first, then update everything and then slowly repair it. I laid out so much to increase the sense of immersion and prevent the subsequent writing from being too floating. The foundation is currently being laid, and the first chapter has not actually started yet. The first chapter is in volume three. What you are seeing is the foundation, not even the first floor, maybe the basement. 6. Some people say that I am anti-science or criticizing science in the name of science. I admit that I am criticizing science. Because science cannot change destiny, nor can it provide relief. In the dark and unknown ocean between the isolated islands of disciplines, in the yellow sand of the long river of history, no one can say that we can resist the vagaries of fate by simply grasping at science as a life-saving straw. If one day, reason cannot solve the problem of fate, and you will be knocked back to the starting point no matter how hard you try, then what will you rely on to support your cognition that has been shattered and despaired by science and reason? Even if the splendid civilization turns into a pile of skeletons, Even if language and literature become the remains of a maggot-gnawed brain, Even if the symbols and models become magic circles painted with blood, Even if human civilization is ultimately just a joke. Do you think I would be scared by this? I was ready for everything to disappear, including science. 7, I heard a song recently that touched me deeply. ("A Letter from an Isolated Island" - Luo Tianyi) Eyes full of stars occupy my heart, (What are eyes full of stars? Why do I use the word "occupy"? It seems that the stars don't belong in my heart?) Hold up the decaying night sky. (Why is the night sky decayed? Why is the night sky supported by foreign stars that occupy the heart?) Why weave dreams into a web? (How many dreams are there to weave a web into?) Reach out but can't get it. (Why dare you expect to have it at your fingertips?)