The moon-killing and god-killing in his hands have stood in the world for three hundred years.
The destiny is dark and yellow, the blue sky is falling, the frost dragon clan in the extreme north, the world-destroying alien clan in the south sea, and even the pretentious immortal in the sky!
Heaven and earth are unkind and regard all things as stupid dogs!
Even if there is all kinds of helplessness and bitterness, I will kill him with one sword!
There are gods on the mountain and ants below the mountain.
Qing Ji was in charge of the mountains and the mountains. He used the long sword in his hand to cut off all the injustice and evil in the world, and chopped down the gods who looked down on others on the mountain.
The power of this sword becomes more powerful the more it cuts!
Reader comments
The writing is good, but this is the world of immortals after all. I hope you won't write in the secular world of Dynasty for too long. Your current Dynasty 10 realm is incredible. When you go to Middle-earth China later, you will see 13 realms everywhere. Don't be surprised.
It's a bit like Jianlai, but it still feels good. I like this better. It's not that boring to watch.
It's well written, although it feels a bit like swordsmanship.
I hope the protagonist is "Chen Ping'an" instead of "Jiang Shangzhen".
(Single heroine)
It's a pity, it's a pity
Not bad, but the characters are too sword-like, so I'll deduct one point.
Not bad, high-level combat power has B grid
But there are a lot of small flaws. For example, in terms of inner demons, the first time he killed them with one punch, but the second time he was awakened by the teacher's roar. Also, the dormitory of the Academy was completely destroyed (where did you write it when you thought of it?). It seemed that it was used for Miss Fu's ambiguity but because of the character of the protagonist, it was completely destroyed.
The protagonist's talent is based on literary energy, spiritual energy and pure martial arts (leading to pure martial arts being impure). Of course, this is a common problem in most novels. They like to stack BUFF after it, and never add the attribute of inner demons or demons. In fact, it would be better to set it up so that the fourth spirit similar to aura can be used by adding Wen Qi and Fist Gang, instead of stacking a bunch of BUFFs to turn an ordinary protagonist into a competitive "ordinary" protagonist.
And this is why most authors write about conflicts in the portrayal of their protagonists. The starting setting is that a young man who climbed out of a pit is unlucky and has a bad background (some may not have good talent) and then passes the first volume through hard work. Generally, the second volume starts signing up because the supporting characters or villains are too strong, so they start to make up for their talent, background and luck. Also, the scholar setting is not suitable for playing girlfriend stock trading, because the girl the protagonist likes may not appear as many times in the text as the female counterpart, resulting in being trolled.
Here comes the classic expression that I like Qingmei and the author likes Tiansheng, and the protagonist is devoted to the author and likes the harem. I still remember a book in which the protagonist liked the first female lead (in the first volume), but the second female lead was portrayed particularly well. Then the protagonist and the second female lead walked together (separated after the second and third volumes) and then the protagonist found the first female lead and got together. Later, because the second female lead was so well portrayed, the author could only use a huge dungeon boss to have the first female lead save the protagonist from being killed by the boss, so that the protagonist and the second female lead could be together.
Of course, despite its flaws, I really like the writing and plot so far.
The volume of "Going North" allows the protagonist to start practicing swordsmanship at level 4 and become a swordsman at level 5, and then start killing and collecting cups at level 5 (you can refer to the volume of Gehrman Sparrow, Lord of Mysteries). Let the protagonist become a swordsman as soon as possible. Come on, remember to pay attention to the details, author
How to say it? Anyway, it looks pretty
Good, good, good, good, good
Although it looks a bit like a sword, it looks okay.
It feels a little bit like a sword, but it's very careful
It's okay, but some details are too poor and a bit rough.
The writing is good, but this is the world of immortals after all. I hope you won't write in the secular world of Dynasty for too long. Your current Dynasty 10 realm is incredible. When you go to Middle-earth China later, you will see 13 realms everywhere. Don't be surprised.
It's a bit like Jianlai, but it still feels good. I like this better. It's not that boring to watch.
It's well written, although it feels a bit like swordsmanship.
I hope the protagonist is "Chen Ping'an" instead of "Jiang Shangzhen". (Single heroine)
It's a pity, it's a pity
Not bad, but the characters are too sword-like, so I'll deduct one point.
Not bad, high-level combat power has B grid But there are a lot of small flaws. For example, in terms of inner demons, the first time he killed them with one punch, but the second time he was awakened by the teacher's roar. Also, the dormitory of the Academy was completely destroyed (where did you write it when you thought of it?). It seemed that it was used for Miss Fu's ambiguity but because of the character of the protagonist, it was completely destroyed. The protagonist's talent is based on literary energy, spiritual energy and pure martial arts (leading to pure martial arts being impure). Of course, this is a common problem in most novels. They like to stack BUFF after it, and never add the attribute of inner demons or demons. In fact, it would be better to set it up so that the fourth spirit similar to aura can be used by adding Wen Qi and Fist Gang, instead of stacking a bunch of BUFFs to turn an ordinary protagonist into a competitive "ordinary" protagonist. And this is why most authors write about conflicts in the portrayal of their protagonists. The starting setting is that a young man who climbed out of a pit is unlucky and has a bad background (some may not have good talent) and then passes the first volume through hard work. Generally, the second volume starts signing up because the supporting characters or villains are too strong, so they start to make up for their talent, background and luck. Also, the scholar setting is not suitable for playing girlfriend stock trading, because the girl the protagonist likes may not appear as many times in the text as the female counterpart, resulting in being trolled. Here comes the classic expression that I like Qingmei and the author likes Tiansheng, and the protagonist is devoted to the author and likes the harem. I still remember a book in which the protagonist liked the first female lead (in the first volume), but the second female lead was portrayed particularly well. Then the protagonist and the second female lead walked together (separated after the second and third volumes) and then the protagonist found the first female lead and got together. Later, because the second female lead was so well portrayed, the author could only use a huge dungeon boss to have the first female lead save the protagonist from being killed by the boss, so that the protagonist and the second female lead could be together. Of course, despite its flaws, I really like the writing and plot so far. The volume of "Going North" allows the protagonist to start practicing swordsmanship at level 4 and become a swordsman at level 5, and then start killing and collecting cups at level 5 (you can refer to the volume of Gehrman Sparrow, Lord of Mysteries). Let the protagonist become a swordsman as soon as possible. Come on, remember to pay attention to the details, author
How to say it? Anyway, it looks pretty
Good, good, good, good, good
Although it looks a bit like a sword, it looks okay.
It feels a little bit like a sword, but it's very careful
It's okay, but some details are too poor and a bit rough.