Dominating Another World: My Master Is a Bewitching Beauty

Shennong: grain and grass Rating:8.3/10 Points Advantages: A brief review, there is no cuckoldishness, the author describes the emotional transition of each heroine very well, she is not the kind who suddenly falls in love with the protagonist, there are traces to follow, and the acquisition of girls is timely, without supervision. Disadvantages: Hmm... The most descriptive chapter at present is about being with the master. When facing the master, the male protagonist is more accepting. Of course, the important reason is that the male protagonist is not strong enough and cannot resist, so it may not be very enjoyable to read, but it is not aggrieved either. Summary: If you like Shizun and Yandere and there are many female protagonists, you can check it out. The emotions are quite delicate. Sure enough, you still have to have strength. What kind of yandere, what kind of Shura field, after the protagonist's realm improves, all of them will be resolved naturally 🤭

It was unexpectedly good. Originally, it seemed that because it was a traditional cultivation of immortals, the emotional climax was when Hua Xiangrong and the male protagonist fell into the netherworld. After this part, it was considered a yandere novel that would never be acted again.

Since the protagonist traveled to this world, the era of immortal cultivation has turned into an era of great depression. The culprit of everything must be a man named Xiaoyao Demon Lord who massacred a country for blood. But two people were left out, and these two people were the protagonist and his sister. Do you think it was a coincidence or not? From this moment on, the protagonist begins his path to invincibility. Can't beat him? Dying? No~no~The protagonist starts to recite various scriptures from the earth, such as the "Tao Te Ching". Guess what? This is actually the top skill in this world, so as expected, there are various levels of killing enemies, such as refining Qi and building foundations, building foundations and killing golden elixirs. These are all trivial matters. When you encounter the Yuanying old monster and transform into an ancestor, you can directly activate the protagonist's passive skill to chant sutras. You will definitely be impressed by the protagonist. During this period, various women are attracted by the protagonist, and they become the Wooden Bamboo Fairy who only knows how to run away and will die if he escapes from the protagonist 😂

Master, I like Qingmei's emotions very much, but the road chapter is not very good. When the author wrote it, he was as relaxed as Fuli Lian. The enemy can be destroyed with a snap of his finger, and the core has changed from fighting to thoughts and perceptions. However, the author's thoughts are not so profound and cannot reach the depth of a scholar. A typical example is the section about Buddhism on demons. The protagonist talks about the basic thoughts of Buddhism, but the opposite party is taught as if they have never seen the world. This suddenly degrades the style of the work. Thoughts on the world of mortals are also influenced by traditional sword fairy novels, with a bit of arrogance and madness, which is okay. The key is to always use some very old-fashioned pretentious quotes. Maybe some people just like royal swordsmanship, but I have high expectations for this book and the author, so I can't accept it when I see the protagonist has no new ideas and often cheats [rolls eyes]. I personally think that unless you write a sweet story without brains, rigorous fairy tales should not be so clichéd. To sum up, I think the emotional writing is OK. The master's insecurity, Qingmei's distortion and the inner feelings of the other female protagonists are all reasonable. Many male Little Chef authors do not understand women's inner thoughts and write in a mess. Sometimes the protagonist's emotional response can be a bit uncomfortable (for example, Qingmei is completely portrayed as a suffering person. You think it is reasonable but the reader does not want to be tortured all the time), but it is for the development of the plot, so it is acceptable. The depth of the author's thoughts is a flaw. Either he looks up the information when writing, and writing carefully will naturally attract attention, or he tries not to write and leaves blank space for readers to think. It is also good. The above are my thoughts as a reader, and are only for the reference of the author and other book friends. If you have different opinions or the author wants to refute, you are welcome to discuss and correct me. Sincerely. @

This book is really well written. I heard the latest chapter from the beginning. It's the only one that doesn't skip chapters like other novels. The writing is smooth. The storyline is also good. I like the brother and sister Song Yue and Qinghe very much, and I also like this master with an eccentric and beautiful personality. I hope there will be more updates and don't stop updating. I want to see the protagonist (Song Yue) and the master (Hua Xiangrong) together.

The writing is very good. It has its own understanding of Confucianism, Buddhism and Taoism. It is very "human" and can learn something. The protagonist is a very responsible person. It is really difficult to see a very responsible protagonist in 🍅.

This is a good book. Don't be fooled by the one-star rating. Although it does use ancient poems, it does not affect the reading. Anyway, it is better to read it yourself than to listen to what others say. You might as well click in and have a look. At the same time, I also hope that the author will not rush into the street, come on

I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. I can't breathe. Breathe😭I can't breathe😭I can't breathe😭I can't breathe I can't breathe😭I can't breathe I can't breathe😭I can't breathe😭I can't breathe😭I can't breathe😭I can't breathe

I hope the male protagonist will have to deal with the teacher and Qin Yan hard 🙂 🙂, and be gentler to Qing He 😢 Weak people are only worthy of listening to the corner The male protagonist has no sense of boundaries and deserves to be imprisoned. He is a bad guy.

I've seen half of it, and I can only say that it has a very classic taste, not suitable for old people, but it's okay for beginners, and of course for someone like me who has excellent resistance to toxicity. Naturally, I ignored this ʢ>🐽<ʡ