Quick Transmigration: The Side Character Rescue Plan

It is said that it is about saving the female protagonist. After the first world, it is more about the interaction between the female protagonist and the male protagonist. Nothing will happen without the female protagonist.

The story is good, but it has nothing to do with the protagonist, and there is no sense of substitution. The protagonist seems to have no role in it, so what is the meaning of the protagonist's existence? The way you write it might as well be an unrelated unit story. Each story has its own protagonist. Now the heroine in your novel has made every story a mess. I don't know what you want to write, and there is no logic.

How should I put it? It's quite a stream of consciousness, and it's so confusing that I can't understand it, but every little story is quite immersive and a bit sadistic.

The story line is so confusing, I can't understand who is who, what happened, who died, who is who, who is who

The writing is okay. Although the title of the novel is non-CP, I thought it was Qingyuri. The content of the novel is more about the bond between the protagonist and the male partner (both BL and BG). It has little to do with the female partner. It is more about indirectly changing the ending of the female partner, and it does not have much involvement with the female partner in the process. Well, I actually have no choice. I think the first two worlds are okay, at least I can watch it, at least there are some group portraits. I really can't stand the rest of it.

Okay but a little short

Well, it's good to cry.