Su Yan transmigrates into the body of a widow in a small ancient village. Her mother-in-law is cruel, her sister-in-law is vicious, her loving parents are destitute, and the adorable child who means the world to her is so hungry he’s skin and bones.
No problem. Just watch me turn things around.
Her mother-in-law is cruel, constantly scolding and beating her. One word: clap back. She takes the child and leaves home.
The child is starving and malnourished. No problem. She hunts in the mountains and serves meat at every meal, raising him to be plump and healthy.
Her family is destitute. Don’t worry. Business opportunities are everywhere. Watch me turn trash into treasure.
Wood ear mushrooms are dismissed as black lumps, left to rot in the fields because nobody wants them? Su Yan rehydrates them and makes wood ear mushrooms in sour vinegar, raking in a fortune.
The soil is barren, and disaster victims are starving to death in droves? Su Yan develops a new kind of rice and finds sweet potatoes, greatly increasing the food supply.
The disaster victims treat the heroine like their savior, while her cruel mother-in-law regrets everything.
A handsome young prince shamelessly clings to her. Su Yan gives him a cold look. “Who are you?”
The young prince looks wronged. “I’m the father of your child.”
Can't comment on the male lead. Well. In fact, it would be better if he and the heroine were separated. The heroine doesn't need him. He also has a wife. It's better to be better off as an individual. Who has many years of youth to wait. If you miss it, you miss it. Best choice. Being together can hurt innocent people. The male and female protagonists should not entertain the idea of getting back together.