Anchor: Ai Baoliang | Deadly Golden Silkworm Gu, a weird way to save yourself. Namo Kasaya's works on science and Buddhism have received over 100 million hits on the entire Internet. Performed by the well-known performance artist Ai Baoliang.
An ordinary young man of the Miao ethnic group began an unusual journey of self-rescue because his grandmother, the goddess of the Miao village, gave him a fatal poison for unknown reasons before her death. As a result, he began to come into contact with the mysterious world, made some special and highly capable friends, and gradually began to transform and grow from an ordinary person to a Gu Master from the Miao border. And all of this is just to guide him step by step to discover the ulterior secrets and ambitions of the Yelang Kingdom and Yelang people that have disappeared in the legend. The theme of the work ranges from self-help to salvation, and is full of positive energy.
Reader comments
In the blink of an eye, the book was written more than ten years ago. It's not that I'm old, it's the current book. Most of the writing skills are really inferior to Little Buddha's. This book is no worse than Ghost Blows Out the Lamp or Tomb Robbery Notes. But it may still be because of the title of the book and the marketing of the year. The coverage is nowhere near what this book would have been. There is no need to say whether the content is good or bad. You won't know until you read it.
A classic in all aspects, even if it were not for the reasons of the times and the reason of taking care of online readers, if it were still the era of paper publishing in the earlier era, the writing style of this book would be a little more refined, and it could be called the level of mainstream literary writers.
In the blink of an eye, the book was written more than ten years ago. It's not that I'm old, it's the current book. Most of the writing skills are really inferior to Little Buddha's. This book is no worse than Ghost Blows Out the Lamp or Tomb Robbery Notes. But it may still be because of the title of the book and the marketing of the year. The coverage is nowhere near what this book would have been. There is no need to say whether the content is good or bad. You won't know until you read it. A classic in all aspects, even if it were not for the reasons of the times and the reason of taking care of online readers, if it were still the era of paper publishing in the earlier era, the writing style of this book would be a little more refined, and it could be called the level of mainstream literary writers.