Anime Crossover: A Romantic Comedy Starting with Charlotte

Isn't it great if you write a variety comic well and add a ghost Chinese drama? Besides, you want to write two big plots together. The second dimension is the second dimension, don't add the third dimension into it, okay?

How to put it that way, the number of words per chapter is still okay, but it can be streamlined, with fewer words and fewer words to ensure one update a day. Otherwise, in X Lu, such a slow update speed will only attract fewer people, and no one will read the update, and then it will be rushed to the street. After you finish typing a chapter or a short paragraph, you can check whether you have touched certain points and make immediate changes. Otherwise, you will be asked to revise again. Write Nao Shao. I don't want it to fly away like this. In fact, you can invest more

I'm very irritated. After seeing the chapters about fireworks, if you want to write extra chapters, can't you just open a separate directory? Does it have to be added to the text? Okay, I'll skip it. This book of yours shouldn't appear in Feilu. You should be respected and awe-stricken in your life? Sorry, I don't have it. The weak should be deprived of it. The strong should have everything. There is no need to talk about me. If I am a weak person and be deprived of my life, then it doesn't matter to me. It's just that I'm not strong enough.

Why did the variety show come out with a TV series? I'm a genius.

I want to know why the author wants to slander Youyu, the second board, in this way. He is just a scumbag, not a gangster, and not a thing. That sentence is too much.

How about giving the protagonist the ability for a lie to become the truth?

Feilu is aimed at the author? As soon as the author updates his work, the work cannot be seen. Kill the coins and Feilu.

I vomited and couldn't read the first chapter

I have finished reading these 198 chapters, and my impression is okay. Although I know that the author cannot read it, I still want to talk nonsense. First, I don't understand why I wrote Guan Xiaoguan, and I feel that it is just to make up for the word count. Second, when I read it earlier, I felt that it was quite good, especially at chapter 54. At that time, I felt that the male protagonist was really a human being, and the various emotional scenes with Nao were quite well written; thirdly, although there were a large number of self-created plots, self-created characters, and many character interactions, it did not give readers a bad feeling, but felt that it should be like this; fourthly, the male protagonist was a costumed character. Those who are transcendent only think about peace and happiness, thinking about spending their lives happily with the people they love and the people they love. Even if they know that they can't solve things themselves, they should leave the hope of life to others and shoulder everything themselves. The protagonist does not have invincible strength, but he has a heart that tolerates all things. , No matter who it was, even the one who almost killed Nao, he also extended a helping hand. Isn't this hypocrisy the fragility of not wanting to lose anyone in his heart, but being unable to protect the people he loves? The author's writing of the protagonist's character traits is quite good; fifth, it is similar to other suspects The harem is not a harem. There are too many plots. Personally, I prefer Nao, who is a single heroine who is more daily, although it is useless now. Sixth, I think Eevee is a foreshadowing. The whole story does not have much effect, and there is no evolution. Instead, it leads the wolf into the house, resulting in Ayumi. Killing; seventh is about the system, which feels a bit weak. Except for giving red medicine at critical moments, comforting the protagonist when he can't think about it, and persuading the male protagonist to accept a harem, the overall effect is not very effective. Instead, it seems that the male protagonist has brought Aqua to another world, relying on his stronger will. I have been fighting against the distortion of the world, especially the aspect of deleting the original memory of the male protagonist. It is true that I have lost the prophecy of the time traveler, but it is not a drawback. After all, many of Feilu's novels have protagonists who do not know the plot; it is nothing to write a book review here. It's easy to say, after all, this book review will only be seen by people who read the book later, and the author himself cannot see my evaluation of the book. To sum up, the overall writing is quite good. If the author can see it, I hope to continue writing, or open a new book with the same world background.

After a few years, Feilu still smells the same.