Being a Layabout in the Hong Kong Movie World

In Cantonese, salted fish means not wanting to move. In this article, salted fish is extended to mean that you can win while lying down (there is a saying that you have to use all your strength to look effortless). The protagonist's role as salted fish does not mean to just eat and wait to die, but to succeed in the eyes of others without much effort. This book has a cool setting. I believe that no one in Feilu likes to see a useless protagonist. That's all!

It's particularly ** when I write about Young and Dangerous. You, a high-ranking member of the police force, went to attend Young and Dangerous' banquet. Did you make any mistake?

It feels like Chapter 400 is not interesting anymore. There are few scenes of the protagonist, and the participation is low. It does not refer to the participation in the event, but the participation in the text. It feels like an important supporting role interspersed in every movie. It does not give people a sense of déjà vu as the protagonist. The system gradually disappears and the heroine disappears. Whether it is a new one or the original one, it is not as good as a small character. I feel that there are also some foreshadowings of the heroine, but they disappeared. For example, Sandy, it was written earlier that there was a feeling that they would be together later, but after a few hundred chapters, it was written that they would go to the vivi bar to participate in the management, and there was no more. There were many similar examples, so I will not give them one by one. In the end, there was no passion at all.,,

I have read more than a thousand chapters, and more than a year later, I need to start charging again.

There are a bunch of female characters who were leaked after being flirted with, and were never seen or explained later. The female characters have various ambiguities with other male characters, and the male characters have to be accepted. After they are accepted, it is as if they don't have this character. Each female protagonist doesn't have as many scenes as the other male characters. The male protagonist is also like FW, he can write more than ten chapters without a plot for the male protagonist.

He Min (Zhang Min), Yang Qian'er (Zhong Liti), Yang Liqing (Yang Lijing), Wang Zhenzhen (Wang Zuxian), Lok Huizhen (Qiu Shuzhen), Ma Dangna (Li Zhi), Jiang Yunyun (Li Jiaxin), Zhang Wenhui (Guan Zhilin), Salina (Brigitte Lin), Miao Keyi (Wan Bixia), Zhou Meishi (Peng Dan), Zhou Wenli (Zhou Huimin), Hongdou (Zhong Chuhong), Pan Lingling (Pan Lingling), Xu Jing (Xu Qing), Qiudi (Fan Bingbing), Li Xin'er (Kelly Chen). . . . I re-watched the old movies and luckily some of them were downloaded before.

Copy it according to the plot, put a protagonist in there to make soy sauce, and pick up the heroine. The heroine should be remembered, and it doesn't matter if she is picked up. Anyway, just write that the heroine is yours. Just copy it according to the plot. Write *Ma, it's so cool.

Recharge, I have read it before. I didn't watch the children's part at the end, but I remember the general plot direction. Now I have to pay again to watch it. I asked customer service and they said I didn't subscribe. Isn't this nonsense?

It is really rare to see this kind of Hong Kong movie theme. Although I have wanted to find a novel similar to this type, I have never been able to find a good one. It's really a big surprise that the author took the trouble.

This is the first completed book I've read in Feilu. It's really not easy.