The system of Guixu Country is an airtight net, and the fates of intangible cultural heritage supervisor Tian Chengji and Xilan Kapu Workshop owner Qin Shuyao have been entangled in the net for three hundred years. In this world, he held up "historical materialism" to suppress her innovation of mythological themes, while she held on to traditional patterns to awaken memories frozen by the system, which turned out to be the prologue of her past life. On the day when their identities were revealed, Tian Chengji was the reincarnation of Tian Ganlin, the priest who killed the goddess of salt water, and Qin Shuyao was the goddess Qin Meiyu whose soul was broken by Qingjiang. Their love was essentially a sacrifice of "systemic murder". The hand-waving drum beats opened the cracks in the memory, the blood lines of Xilankapu were revealed in the moonlight, and the lingering sound of the big drum harp was like a blunt knife cutting open the past life: Tian Ganlin once killed Qin Meiyu for the ethnic group, and in this life he almost killed his lover again because of the system. After their energy was out of control and their identities were exposed, they were stripped of their extraordinary abilities and memories and became "pure humans". But the emotional data on Yunmengze's server was not deleted. When they reunited at the intangible cultural heritage exhibition hall, the broken thread passed by his eyes, and the dull pain that seemed familiar pierced the data barrier. Without divine power, he still lives like a human being. In the Daughter's Day light and shadow waving dance, the virtual white tiger and the salt water goddess stand side by side - three hundred years of hatred, finally reconciled in the struggle of mortals.
This novel and its characters are purely fictitious. Any similarity is purely coincidental and should not be imitated.