In the folds of science fiction and humanities, see the weight of "false existence"
The third part of "Existence" is based on science fiction and humanities as the soul. In the collision of ultra-micro alien layers and digital life, a complex network of "existence" is woven - not only the amazing shape of the Pimi robot reconstructed, but also the hotness of digital consciousness pursuing the physical body, and the individual's choice and perseverance under the torrent of the times. The reading is not only shocked by the magnificence of technological imagination, but also moved by the softness of the depth of human nature.
The ingenuity of the story lies in its tight combination of hard-core science fiction and oriental emotions. Wen Xiangdong's transformation from a down-and-out painter to a billionaire entrepreneur has always been anchored by his obsession with "Xiang Wan" - from the voice elf on his mobile phone, to the form of a pen-sized pimi, and finally to his partner with a full biological body. This emotion that spans virtuality and reality brings warmth to the cold technology. The bond between Yang Chengwei and Wang Yuyao is even more fatalistic: a car accident turned digital life into an "unfinished promise". From the training at Tianji Temple to the fifteen years of development of the Ami magnetic group, his persistence in "bringing his lover back to the world" has long surpassed scientific research.
This novel and its characters are purely fictitious. Any similarity is purely coincidental and should not be imitated.
