Song Ya, a special soldier, encountered an explosion during an anti-terrorism mission. When she opened her eyes again, she turned into Zhao Hongyu, the frail and sickly Princess Anshou during the Qingli period of the Northern Song Dynasty. The shadow of the sword in the martial arts arena, the undercurrent in the palace, and the beacon fire at Yanmen Pass in the north all draw this modern soul into the disputes of a thousand years ago.
When the Liao army's 100,000 cavalry were pressing down on the border, the peace faction and the war faction in the court were arguing endlessly. She stepped forward as a princess and showed off a submachine gun and grenades in the Jinluan Palace, which shocked the civil and military officials in the court. "Women can't be in charge of the army?" She insisted on taking command and going on an expedition. She used modern military strategies to dismantle the Liao army's formation, used the thunderous power of "rapid-shooting guns" to defeat the enemy at the Blackwater River, and used the golden light reflected by the bronze mirror to break through the Qimen Dunjia Formation of the Liao Kingdom's national division.
From the deep palace courtyard of Bianjing City to the iron-blooded battlefield of Yanmen Pass, she combined the practical combat skills of the special forces with the martial arts foundation of the Qingshan Sword Sect. While dealing with the overt and covert tactics of the palace, she used "thunderbolts" to shatter the enemy's courage, and used the "fire under the cauldron" strategy to cut off the enemy's food and grass. When Yelu Hongji's witchcraft meets modern tactics, when feudal ethics meets the idea of equality, this collision that spans thousands of years will eventually end in the northern border.
This novel and its characters are purely fictitious. Any similarity is purely coincidental and should not be imitated.
