Silver Lock Osteoscope

The bloody curse during the Guangxu period turned into a yin and yang embroidery thread in Guhuai Town a hundred years later. When the heir to the coffin shop, Zhou Xi, pried open the blue bricks of the ancestral tomb and dug out the locust wood doll with the birth date and birth date, the shroud embroidered with a two-headed koi suddenly came to life - the silver lock fragments with fish eyes were embedded with the silver bells of the twenty-eight Shen family baby girls. In the bronze mirror reflected in the dry well, the grandmother wearing a shroud is combing her wedding hair. Every branch of the century-old locust tree in Zhenxi is the palm print of a living stake. The red silk flowing out of the tree hole is wrapped in the debts of five generations of the Zhou family. On the night when the moonlight stained Baijing Terrace, Sanxi jumped into the mirror world holding half a blood-soaked silver lock, only to see that she had become a coffin maker during the Guangxu period, hammering nails into the girl's heart. This atonement spanning Yin and Yang finally ushered in the bloody dawn when the fourteen crystal wedding sedans broke the ground. When the roots of the twin locust trees entangled the last living soul, the koi carp on the broken page of the Luban Sutra at the bottom of the well suddenly swung its tail - was it the revenge of the witches of the Shen family, or was it the death lantern sacrificed by the Zhou family's craftsmen with blood? A mirror shines upon the bones, two carps entwine the branches, let's see how the silver locks untie the dead knot formed by centuries of resentment. This novel and its characters are purely fictitious. Any similarity is purely coincidental and should not be imitated.