
Anime Crossover: Erina Shokyuu, Swallowed Star Technique from the Start
综漫:尚绘里奈,开局吞噬星空法
- Status
- Completed
- Length
- 1.0M Words
- Genre
- Fanfiction
- Subgenre
- Anime Fanfiction
- Updated
- 1y ago
- Source
- Faloo
Synopsis
All-time: Reads, Flowers.
354Chapters
6.2MReads
302.7kFlowers
10.0Score
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In booklists 1
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Reader comments 50
Translated by Google Translate







Why do some people always think that a person with great talent in the ordinary world will be even more talented in a higher world? What Yujiro, what Hinazuki that one. In a higher world, I'm afraid it might not be as good as an ordinary person's talent. A mortal who had only heard of the higher world unexpectedly became a top genius in the ordinary world.
The Eight Kings of Food World are all star-exploding. Your planet-level is just a planet in your body. You can't explode stars. If you switch to swallowing, you must be at least immortal.
Did you exaggerate Yujiro too much? Yujiro would be able to stand up to the sky after being placed in the prisoners of delicious food for more than ten levels
The protagonist is really ****ing down, calling him a pervert is not flattering him, Nico is more polite than him, and when I first met the girl, my family is really ****ing down** and obscene. In reality, we generally call this kind of behavior sexual harassment.
Why do some people always think that a ceiling in the ordinary world becomes a floor in the advanced world? First of all, the animation world is not a high- or low-dimensional world like the extraordinary world, the spiritual world, or the fairy world. Animation is only divided into different world views, and no world is a subordinate world of any other world. Then, how could a ceiling in the ordinary world become a floor in other worlds? You are an extremely talented person who created the technique of cultivating immortals in the world of martial arts. This talent is unparalleled. Well, if you go to the world of cultivating immortals, are you not as good as ordinary people? His strength is definitely not as good as the ceiling of the world of cultivating immortals, but his qualifications and talents are definitely not bad. Given time, he can still surpass it. Even if he can't surpass him, it's okay, but his qualifications will definitely not become worse? The simplest analogy is, among the powerful people who ascended from the mortal world to the spiritual world in ordinary cultivation, which one is not invincible at the same level in Tianyuan City, such as Qing Yuanzi, Dayan Shenjun, etc., But their talents have become worse after going to the spiritual world? It's really funny. It's the funniest thing to see your qualifications deteriorate in another world. It's so poisonous that it can't be any more poisonous. Speaking of Enichi Tsukuni and Yujiro Nomad, they are extraordinary existences like ceilings in the ordinary world. Are you telling me that after going to other worlds, they become mediocre rookies? They will only achieve more! Isn't this too funny? Don't argue, it's up to you to argue.
Why write the Yujiro template, why not write the Huangtian Emperor template, Luo Feng template, I don't know why a group of people can write a breathing method that can explode into stars, and give the protagonist a Yujiro template that is just like a gorilla. The heroine will not really like it. The current situation of the comprehensive comics is that the Yongjiro template's domineering breathing method = the destruction of the universe. I really don't know how to think about it. I am talking about the current situation of comprehensive comics. This one can accept all other Yujiro templates except the Yujiro template.
Author, are you pushing the plot too far? As soon as he entered the academy, he was forced into a duel for some inexplicable reason, and then killed the other party. The students around him said that he was going to die, and he was going to die. Don't people in this world have a sense of awe? A** ants comment on strong people every day, and they are not our readers. They comment on this and that every day from across the dimension. If you try to fight the Hulk in front of you, can you speak?
Does this author really understand the prisoners of food? It can actually be said that only 200 hunters can catch the twenty-level capture level. So can the Eight Kings be defeated by 60,000 hunters? In fact, 60,000 hunters can't even enter the food world, and they probably can't even defeat the level 48 Ligaru Mammoth.
I have no idea how this book came to be. It requires a love line but no emotional line, and it requires a weak fighting ability. I don't know how to describe it. Does the author think that Mito Yumei will act like a little girl to you before you convince her? Or do you think Mito Yumei is a beauty control? You want to tease her before you show anything? I think you have a higher chance of being cut. Speaking of combat power, does the author think that quantitative changes lead to qualitative changes? According to you, can more than 60,000 soldiers subdue a snake king that is 220,000 kilometers long and weighs 1.5 Tons? Or can 90 soldiers subdue Dora King Kong who easily overturned a 40-ton food tank? Not to mention the tens of thousands of planets in the universe, the levels of food hunters are obviously superimposed.
Nowadays, villains have to pay attention to their words even when targeting the protagonist, and cannot use harsh words. Their behavior towards the protagonist cannot be too offensive. They must be polite and polite when speaking. After being broken by the protagonist, they can only be shocked, frightened, and numb. They cannot be harsh and harsh, and they cannot say harsh words, otherwise they will be evaluated as NC villains, outsmarts, etc. The protagonist must always anticipate the enemy's opportunities. If others are plotting against the protagonist or the people around the protagonist, the protagonist must know in advance. There can be a plot where others plot against the protagonist but have no idea. Even if everyone knows that the protagonist will fight back, if the protagonist competes with others, the audience cannot deliberately belittle the protagonist even if they do not like the protagonist. Before the competition, the evaluation must be neutral, and after the competition, they must support the protagonist. There cannot be a plot in which the protagonist keeps winning but is found to be undervalued every time for various reasons. Any violation of any of the above can be considered a poisonous point.