Dream of the Red Chamber: More Children, More Blessings, From the Start I Stole Qin Keqing

Poisonous, if you don't fight back or say anything when someone plots against you, and you make excuses for others, the enemy will kill the protagonist! Well

Jia She slapped his nose twice in the face, and there was a prince next to him who assassinated his daughter-in-law. The emperor hated him and used him as a pawn. Now he has 10,000 heavy cavalry. Is it worth it?

Didn't the protagonist want to rebel and become the emperor? Why did he later say that being an emperor was too restrictive and too tiring, and he wanted to be a regent? Which route is it?

Shameless thing, 170,000 words is also called writing a book? I'm too lazy to organize it. Can you send Da Fei to a black triathlon?

Didn't the author say that he left the Jia family in the beginning and established his own business? How come it's been dozens of chapters and I still haven't left and established my own business?

The author must grasp the degree of control and write this kind of plot conflict, and cannot keep suppressing it all the time, especially in Feilu. This Jia She is also very jumpy. It is really unjustifiable if you don't give some counterattack. There is also that prince who is flying in the face of a flying dragon and intends to assassinate the heroine. Is this the protagonist's reaction? Although you have explained that he will definitely be killed later, for now, in this whole plot, only the interests of the male protagonist are being harmed. The prince and Jia She who provoked the trouble, and even the emperor who regards the protagonist as a pawn and shows a disgusting attitude, are not damaged at all. In short, it is suppressed first and then promoted. When it comes to you, there is only suppression, not promotion. The protagonist needs to stand up! With his strength, he can just overturn the table. The strength of ten thousand enemies plus one million gold, plus the current ten thousand heavy cavalry. With these trump cards, if the operation is good, a direct coup will be OK, or if it is reckless, it will be OK to rebel on the spot. The food supply problem is not big. Push all the way, and wherever you go, there will be a granary.

At present, the protagonist's acting style is more tough and direct, which is quite pleasant to watch. To be honest, I can't stand those Red Mansion fans who have to worry about this and that even though the protagonist is much stronger. They can only passively defend themselves when encountering some calculations. They never take the initiative. Even if they take the initiative, they only take scraps. The protagonist's approach of doing it directly without forcing it is at least not frustrating to watch. Another point is that the push girl is more decisive. When she met Qingwen, she accepted it immediately. It was done on the same day, not bad. I hope this style can be continued and not inconsistent. Okay, now that I've finished the praise, let's talk about the shortcomings. I feel that the protagonist's thoughts and ideas are relatively childish, or maybe you, the author, have more outlandish ideas. Do you want to leave the clan in order not to be implicated by the Jia family? What are you thinking about?

Isn't it going to be a drama where the matchmaker discovers that Qin Keqing is extremely beautiful, then goes back to talk to Jia Zhen, and then creates a scene where Jia Zhen is obsessed with sex and uses her power to overwhelm others, and Qin Keqing would rather die than obey? Take it easy, readers nowadays basically don't like this kind of depressing plot. It's about a *farts hero saving a beauty or something. It's all written against people. The best thing about this plot is to cut through the mess quickly. The protagonist should not wait and kill the thieves quickly. Get promoted and get married and take concubines safely. That's it. However, when it comes to the length of the heroine, don't focus on those adulterous plots. Many authors cannot grasp the sense of proportion and forcefully write poisonous stories, giving the impression that the heroine is seen by the foreign man and is dragged around. I thought it was a novel routine from more than ten years ago, but I don't want to use it this time. Also, Jia Zhen plots against the protagonist like this. Although the protagonist is capable of dealing with it and can take this opportunity to gain military merit, he still needs to deal with it. Don't forget about everything after the protagonist gets promoted.

It's really hard to watch the whole story of The Red Mansion. Wang Xifeng and Jia Lian didn't get along and they never met. Li Wan's husband died on their wedding day. Is this difficult to change? It's really boring to ask someone whose whole body has been chewed for a few words.

The Lai family just let it go? Don't want the money from Tanning Mansion?