The Panda Wine Master, His Daughter Swallows the Boy with Wine

The protagonist of Jindian, an outsider, feels like he has done everything and yet seems to have done nothing. It's like a futile struggle against historical necessity. No heroine you write can escape her original fate, so what exactly do you want to write? It was originally written that "meditation" can subvert the rule of God, but it turned out that there was no follow-up.

This is a bit sudden, what's going on?

What a great book. Most of the Feilu of this era are just a mess, and there is no need for aesthetic fatigue. There are not many famous authors who can write such good books.

Oh my god, I actually understood the meaning of Tathagata from the plot of Kazami Yuka. The impact of the protagonist changing the character's experience can be written quite reasonably. The author's thinking is clear, but the fusion of Gensokyo and Xingyue feels a bit unimaginable.

I hope I can become more domineering in the later period, don't be submissive, and give fate a slap in the face

This timeline can be considered that of my biological daughter. . Kaguya? After all, she is a "biological" daughter, so that means she is not biological but better than biological, right? So what is more dear to bear lovers than bamboo?

I've been following along and nothing has changed. It seems weird that I want to help but don't do anything.

It's very well written and I feel like I don't need any comments.

Very good, good taste, keep writing

The whole book perfectly interprets the word "awkward"

About "The Panda Wine Fairy, His Daughter Swallows the Boy" written by Ge Bingliyue. Is anyone really afraid of pandas? Chapter review.

Commentary on Chapter 1 The Beggar Boy in "The Late Ming Dynasty - The Rising Qin Empire in the Valley" written by Pig Who Wants to Fly.

Commentary on Chapter 8: The Fate of Monsters in "The Panda Wine Fairy, His Daughter Swallows the Boy" by Ge Bingliyue.

Author, are you a eunuch?