Come On In: Starting a Carefree Life

Why! The protagonist is more suitable to be the boss behind the scenes in the company. In recent chapters, the protagonist has been written as too amateurish and childish. It would be better to write that the main character is a stock tycoon and constantly buys houses, land and builds buildings to work as a landlord! Foreign scripts are originally about the daily life of the Kang family and related people. The protagonist can engage in technology, but the company can be left to professional managers to downplay the company's affairs, otherwise it will be impossible to write about it later. After all, the protagonist is so rich that he can easily change the life of the Kang family, so most of the plot in the original novel does not exist. Unless the protagonist is selfish and doesn't want to help his family, the plot will continue.

Just in chapter 23, I couldn't help it. The fourth brother wants to live outside. You bought a big house in Xiguan and said you like to do scientific research. Then why do you want to go back to the troubled Kang family? Moreover, I have never seen anyone who does scientific research without setting up a scientific research room. Then there is the problem of the boss setting up the table. Your protagonist is pregnant, and I don't believe that the boss didn't take care of him when he was a child. I won't even help him. Help her, she's losing face to her husband's family; then there's the issue of the fourth child's singing at the wedding. He knew what was going to happen, but he didn't stop it in advance and had the nerve to hold back his smile. This was embarrassing in front of relatives and friends of the two families; and finally, the most unbearable thing was that after the wedding, Sachiko and her relatives were noisy at night, so they didn't let the second elder of the Kang family live in the new house. Let the brothers lose their vacation and let the parents suffer. It's really yours. I just boasted earlier that the protagonist attaches great importance to family ties. A typical refined egoist, convinced.

More and more people are writing about foreign affairs. As a Cantonese, I must like it.

From my point of view, the reason why your subscriptions are so low may be that you write too much about your company and not so much about your family. What the audience wants to see is that you need to spend more time with your family.

I don't want to watch it. I do things in the company every day. I said before that I would reduce the drama in the company. Now you are reducing the drama from outside, right? . . .

If you open this company, it will be screwed here or there, so you might as well just open an investment company.

Will it be useful if you release a smartphone? In the new millennium, you have to design many apps yourself. Do you have Internet access and traffic? When you watch movies and listen to music, you also need the cooperation of others to grant copyrights. Do you think that just inventing a mobile phone is great?

To be honest, I came here to read foreign fan fiction, but you did this to me? Who sees where

I always feel that the protagonist is a bit inexplicable. He knows how things will turn out, but he doesn't change or remind him. When it happens, he roars and loses his temper incompetently.

Write more about getting along with family members. The protagonist seems to be outside the Kang family. Writing about the Kang family is like a running account.