I Filmed Ultraman Tiga, and Its Iconic Scenes Made the Whole Internet Cry!

The 13e dragon countryman looked at the lot of little names and the white and red plaster flags in the drama and thought for a while: TMD, this screenwriter wants to rebel.

I just read two chapters, and I have a question. Things like O and Knight Squad are all time-based, and each work is based on time. For example, Tiga, what if you filmed Tiga, Showa and O first? If the first-generation level didn't have the data of the first generation, the effect would be a lot worse. There are also a series of questions that follow. I want to ask how to deal with them.

There's nothing wrong with the writing, but the plot is too protracted, and I didn't even finish filming Tiga before it was released. Friend the author, do you think that for those of us who have seen Tiga, we need you to describe it again in detail? Isn't it better to just take it all in one go? After all, there are so many other aspects.

When I grow up, I will still watch Tiga, but the place where I cheered as a child turned into tears. Maybe Tiga is not the most perfect, but in my heart, he is perfect. Those are the years that I can't go back.

First of all, what Di was bragging about was how powerful and awesome Heidi and SanDisk were. So don't just step on those Quadika people, at least check other people's reviews or watch the original drama. Tiga's classic lies in his music, dubbing, and most importantly, the plot, as well as his very successful character creation. The most important thing is the specialness of Ultraman Tiga. It pioneered morphological transformation and laid a good foundation for the subsequent new generation. The unit drama format brings reflections on society one after another and descriptions of characters, including happy, sad and touching scenes. Its success lies not only in the commercial aspect, but also in the fact that its audience is not just children, adults can understand more. Just because Diga is so popular, Di Chui praises how powerful he is, just like ikun, saying how excellent their pigeons are can make people dislike them and lead to disgust.

In fact, Ultraman is bad, and monsters are good. Think about it, are monsters destroying the place where I live a good life? Ultraman insists on saving him, destroy it, Tiga.

Haha, it's the same as the one I read before, which is about ancient times first and then Teng Palace. I originally said that I would not act after listening to everyone's opinions, and it was also announced before that the new drama would use new actors. In the end, it's you who plays the role, doing one thing in front of others and another behind the scenes, right? To be honest, was the novel you wrote difficult? Isn't it just copying the existing anime plot and adding some novel content yourself, but you can't even adapt Ultra Star, and you have to write it later. I originally entered it only because the expressions you wrote were acceptable, but now I am really speechless. So many people in the comment area said it was inappropriate to play two Ultramen. Who can actually play two Ultramen? You clearly agreed to make a substitution, but then you did this again. No, who are you talking about? Finally, I would like to give you a suggestion, please modify the substitutions, if you can still manage it.

Personally, I think there are two plans for the Ultra Star episode. The first is to change the first-generation rescue scene to Gaia's rescue scene to connect with the Gaia you plan to shoot. The second is not to change it and let the first generation appear as usual. Isn't Tiga's original plot about Dagu traveling through parallel universes? You can mention it here a little, explain that Ultraman has more than one world view, and introduce the big setting of the Kingdom of Light. The last suggestion is that I don't think you should write about all the Ultra Brothers, otherwise you will be really tired of aesthetics. The author can try to integrate or write several Ultra Brothers like Zoffie. There is no separate TV, but the impression is still very profound.

There is really no need for the male protagonist to play Fujimiya, he can just concentrate behind the scenes, otherwise it will be easy to get involved in the drama

It feels too inconsistent to have Dagu play King B. . . .