Global: Good Grief! There’s a Genshin Impact Planet Inside Me

Finally it turned out that he was ridiculed at the beginning, pretending to be a pig and eating the tiger. To be honest, I'm curious, The protagonist cannot offend anyone, he is sincere, not arrogant in his actions, and is not disliked by others. Why do some people ridicule the protagonist crazily? The protagonist does his duty and has excellent credibility. Why doesn't everyone believe in the protagonist? Why do you have to pretend to be a pig to eat the tiger at the beginning? This is not a selfish world of immortality. If all the talented people pretend to be pigs, wouldn't it be like an invasion from an alien world? Not being extinct means that the gifted person has redeemed his talent, and all the geniuses will be finished. So the protagonist is happy to hide and be ridiculed? Or is it more satisfying to have high hopes from others, everyone expects growth, and then be praised by others? Or maybe the top talent of the same class competes with each other, and the protagonist's domineering attitude makes everyone chase more passionately? The author's protagonist is ridiculed by passers-by in all kinds of ways, and he doesn't even care for him, let alone the readers. This is a good start without being ridiculed or pretending to be a pig.

I have watched too much, and the more I watch, the more I want to laugh. The template of the Rock King and the Emperor, waving his hands to create a statue of the Seven Heavenly Gods, is amazing, and then? Then the warrior is level 4, and the warrior is level 5. . . Good guy, is there a level 6 warrior who makes a sneak attack and takes you away directly? There are quite a few novels like this. Kaido's blue dragon form is equal to ten times the attack. Susanoo's attack is equal to twenty times the attack of twenty warriors. Some things just need to be taken out, and the power is already there. Do you have to make xx ultimate move equal to the attack power multiplied by **% or something like that?

The setting is quite interesting. The author's various shocks and all kinds of pretense and slaps in the face made me a little numb. I felt that the protagonist was like a monkey tricking a bunch of people watching, and the protagonist had no idea about it and died speechless.

It looked pretty good at first, but then it just fell apart. It was another huge vision, and the whole world knew about it. What kind of hidden protection was used, and then it was useless. Foreigners and strange beasts all came. As of the latest chapter, it's still a bunch of watery plots that are just pretentious. The steps at the front are too big, and the steps are too big, but the steps behind are bland. I have probably guessed what happens next. First, alien beasts attack the city or assassinate, and then the electricity comes to show off. Then go to college and follow the old routine of killing monsters, leveling up, acting cool, and acquiring girls. The sister and family drama are definitely indispensable. The construction of Teyvat was incidental.

The combat power is too weak. The Heavenly Movement only hit a few hundred meters, and what it hit was a tide of beasts. If the tide of beasts only had such a small range, would it still be called a tide of beasts?

The biggest bug is the so-called several bans and how many bans there are. Fighting across different levels makes me laugh. Whoever reaches a high level is not a genius. Count him as a first-level military general. He can surpass six bans. **Can you, a sixth-level martial artist, kill him by surpassing six bans? This must be considered more than ten bans.

Emm, when it comes to writing emotional dramas... It's better not to write them, and it's better to find the end from the inner world...

I feel like Rock King's B-frame is a lot lower.

Goldfinger is creative, but the plot is hard to describe in one sentence. Should every novel of this type be written like this?

What the hell, why are there popping bombs and Count Rabbit?