Showbiz: I Conquer the World with Chinese Mythology Films

And this kind of system is directly given to the film, so what's the point of having a protagonist? And how should we deal with things that don't have these actors in reality?

Since you have chosen this kind of start, don't delay, don't be a dove, and update quickly to retain people. It was so short that my emotions first came up and then disappeared. Who can bear it?

Since the background setting is a cultural inheritance gap, the cultural heritage is not enough Why do we need to film the Great Ancient Mythology? And how much can a movie cover in two or three hours? Since in order to promote culture, literal things cannot be missing There are so many historical novels or TV dramas with themes ranging from the prehistoric times to various dynasties. Which one would not work, the Fengshenbang, the Great Qin Empire, the Great Han Empire, or the Ming Dynasty? Coupled with text publishing, wouldn't it be more able to supplement the cultural heritage? It's always more direct than a prehistoric special effects film Can a prehistoric special effect supplement cultural deficiencies and enhance national self-confidence and pride? Even cool articles must abide by the Basic Law.

Honghuang, what did you change? Great Witch Dayi, but you changed it into a human race, and the plot was ridiculously awkward, and a whole bunch of people cried after watching it, it's too outrageous

In orthodox mythology, it is Dayi who shoots the sun, not Houyi.

These are two different people. Since we have a system and we can still get this wrong, just do a little research. Also, the slap in the face scene was really embarrassing, the soles of my shoes were even scratched.

I suggest changing the title of the book from "Mythology" to "Ancient History". Mythology is an adaptation of folklore. You are doing artistic processing based on the "Ancient History of the Suture Monster", although the plot you adapted is indeed good. But if you hang up a myth, it will definitely tear it apart

The subject matter is good, but the progress is too slow. It's already on the shelves and I haven't started the second film yet. I'm still talking nonsense with those Western people.

It's understandable that you want to create a story in which the protagonist saves culture by himself, but your own writing skills are not up to this level and you have to add some mindless pretense and slap-in-the-face plot, causing the book's b-level to plummet and become a third-rate zz novel.

The main character is really not me, the author is so stupid, chapter 9 has not been released yet, and he is so poisonous that he is constantly being abused.