Sleep on Water Pillow

I recently read the comments below and saw some new faces. Most of the comments were "This is the first time I've seen this kind of subject matter" and "The first time I've seen this kind of genre". To say something hypocritical is a bit touching. I have been writing for many years, and I am no longer a new author. No matter what the general environment of online writing is, no matter what new, hot, and popular topics are I have always adhered to my creative ideas Don't follow trends or chase trends Sometimes I feel like a niche, sometimes I enjoy the quietness In a circle that is not too big or too small, write what you want to write and attract people who want to read it. Appreciate each other and be each other's confidants From the original Jinjiang, to NetEase, Alibaba, and now to China Literature There are separations, encounters, and reunions Thank you for accompanying me along the way, and also thank you for the new acquaintance May the first time I give you be a wonderful memory I also hope that in every book, we can find the first surprise, the first touch, and the first unexpected encounter. One last thing to say to you - "This is our first meeting, please take care of me!" 😽

This article is updated at 8pm from Monday to Friday and is closed on weekends The update word count ranges from 3k to 4k I'm not very familiar with the fragmentation method here, so I'll just post it according to my past habits. For IP, the full text is estimated to be 300,000, so don't worry about following for too long. It is the third book in the traditional art series. The plot has nothing to do with the first two books, but the workplace background is all related to art. The other two books are "The Night Remains White" and "The Clouds Pass the Sky" It is not posted on QQ for reading. If you want to read it, you can search it by yourself, or go to my pinned post on Weibo to find the link. P. S. The article is related to the specific plot of "Late Spring Travel Picture" and the painter Yu Jibai, and their pseudonyms have been changed. The rest of the painters and works that have popular science are real and will be posted in book circles. New here, thank you all for your support!

Ju Ran, whose birth and death dates are unknown, was born in Jiangning (Nanjing, Jiangsu). Painter and monk of the Five Dynasties. In his early years, he became a monk at Kaiyuan Temple in Nanjing. After the Southern Tang Dynasty and the Song Dynasty, he went to Bianjing (Kaifeng, Henan Province) and lived in Kaibao Temple. Together with Guan Tong, Jing Hao and Dong Yuan, they are known as the "Four Great Masters of China's Five Dynasties". He specializes in painting landscapes in the south of the Yangtze River. He uses long hemp cloth to paint mountains and rocks. His brushwork and ink are elegant and smooth, giving him a sense of wildness and tranquility. He is deeply loved by literati. The extant works include "Ask a Question in the Autumn Mountains" (collected by the National Palace Museum in Taipei) p1, "Pine Wind in Ten Thousand Valleys" (collected by the Shanghai Museum) p2, and "Orchid in the Streams and Mountains" (collected by the Cleveland Museum of Art) p3. The example of Ju Ran's forgery mentioned in this chapter is taken from a fake painting in the "Golden Chamber Collection of Paintings", which was pieced together by a professional forgery group before liberation. This type of fake painting is extremely difficult to identify in the ancient painting market. Unlike the fakes made out of thin air, this kind of old paintings are often changed from minor famous artists to famous ones, and late painters to early painters. In particular, the painters themselves have the habit of copying old masters, so many painters have no idea that their works will be changed a hundred years after their death. In other words, there should be many minor famous artists in ancient times whose works should have been handed down to the world, but they all disappeared because of this kind of forgery, which is a pity.

Once, she was the granddaughter who grew up in the favor of her grandfather, and he was Huang Xun's favorite disciple. They grew up together since childhood. He was the brother of Chu Shui that she always wanted to marry, and she was the innocent and lovely sister in his eyes. Later, they lived separately from each other. As their living environment changed, they gradually grew into different appearances. Now, they met again because of a fake painting. When they first met, she was a college student who needed to sell paintings to get tuition. He was an appraiser with 100% accuracy. Xu Mian still seemed as innocent and simple as before, but Yan Chushui has become a very suspicious person, and their lives have intersected again because of this painting. People will always grow over time, and Xu Mian is the same. She is no longer the obedient little sheep she once was. Now she is a wolf in sheep's clothing. She planned this encounter step by step, and let Yan Chushui, the prey, take the bait step by step to achieve her goal. People can't look at others with the same eyes. Yan Chushui overturned this matter. He still regarded Xu Mian as the innocent little girl before, and wanted to get the late spring travel map that he cherished by marrying Xu Mian. Yan Chushui originally thought that he could get the painting through marriage, but he never thought that Xu Mian had guessed his plan. They had more interactions because of a late spring travel painting. Yan Chushui thought that he was a hunter and could capture this painting, but he never thought that the painting he wanted was Xu Mian's bait to lure him, and he was the prey in Xu Mian's eyes. People's goals are always diverse, and goals are constantly adjusted according to people's thoughts. Once they get it, they want to have more, and there will never be a day when they are satisfied. Xu Mian's goal when he was a child was just to marry Brother Chushui. When he grew up, after marrying Brother Chushui, he still wanted to sleep with him, and he also wanted to be the first in Brother Chushui's heart. People always make mistakes, even Yan Chushui, even though he was very wary of people of the same species, he still fell over in front of Xu Mian. In his heart, the painting was the most important thing. He married Xu Mian for the painting, but he did not get the painting that he had longed for, and was deceived by Xu Mian's two different paintings. In this life, Yan Chushui can only be carried in Xu Mian's hands. Their goal is that late spring travel picture. The difference is that Xu Mian just wants to get his brother Chu Shui through the painting. This painting is his obsession for Yan Chushui and occupies an extremely important position in his heart. People's feelings for other people may not be monotonous. Xu Mian has both love and hatred for Yan Chushui. She learned to paint because of Chushui's brother. However, Chushui's brother fell ill after her grandfather left her grandma and she did not receive any reply to her many letters. This also made her resentful. Although she loved Chushui's brother, she wanted him to stay by her side forever and be tortured by her. They would be together forever in the future. In Yan Chushui's heart, he felt that Xu Mian could not lie to him, and he was also the first person in his heart. After experiencing 800 million paintings, he finally knew that Xu Mian was a black-hearted man, and he wanted to escape from Xu Mian. After getting to know Xu Mian, he wanted to make up for it, not only because of his guilt for Xu Mian, but also because of his love for Xu Mian. If you like someone, you can always give without expecting anything in return. Yan Chushui's life also changed even more after meeting Xu Mian again. Xu Mian once learned painting because of Yan Chushui, and now they meet because of Xu Mian's paintings. They also don't understand each other because they have been separated for too long. As they get along slowly, they can understand each other better and express their feelings. Although Xu Mian is not the first in Yan Chushui's heart now, it will definitely change in the future, and Xu Mian will have people who love her in her future life.

"Xuanhe Painting Book" is a record of paintings collected by the palace compiled under the official authority during the reign of Xuanhe (1119-1125) of the Northern Song Dynasty. It has 20 volumes in total and was published in Xuanhe Gengzi (1120). The book contains a total of 231 painters from the Wei and Jin Dynasties to the Northern Song Dynasty, with a total of 6,396 works. According to the painting family, it is divided into 10 categories: Taoism, figures, palaces, tribes, dragons and fish, landscapes, animals, flowers and birds, ink bamboo, and fruits and vegetables. There is a short article before each painting subject, describing the origin, development, representative figures of the painting subject, etc., And then arranging the biographies of the painters and their works by era, which is of great historical value for studying the development of painting and the spread of works in the Northern Song Dynasty and before. Mr. Yan also mentioned in the article that there was a record of "Late Spring Travel Picture". The existence of the record proves that this painting existed in the Song Dynasty. P. S. The article is related to the specific plot of "Late Spring Travel Picture" and the painter Yu Jibai, and their pseudonyms have been changed. The rest of the painters and works popularized by science are real.

Xu Daoning, a painter of the Northern Song Dynasty. The themes of the paintings are mostly forest trees, wild water, autumn rivers, snow scenes, cold forests, fishing ponds, etc., And are embellished with characters such as traveling, wild crossing, fishing, etc. The brushwork is simple and fast, the peaks and mountains are steep, and the forest trees are strong. There are "Guanshan Dense Snow Picture" (p1) and "Fisherman Picture" (p2p3) handed down from generation to generation. Zhang Shixun, Duke of Deng in the Song Dynasty, wrote a poem as a gift to Xu: "Li Cheng passed away and Fan Kuan died, leaving only Xu Daoning in Chang'an." He is considered the first painter of landscape paintings after Li Cheng and Fan Kuan.

This chapter briefly introduces some methods for identifying calligraphy and painting. Some contents are more abstract and some are more specific. Let me first give you a popular science about what Xuanhe decoration looks like. According to the explanation of Xu Bangda, an expert in calligraphy and painting appraisal, in the article "A joint examination of the decorative titles of calligraphy and painting in Song and Jin dynasties, Tibetan seals", Xuanhe decoration can be summed up as a standard "five-stage style". A blue-green silk head, yellow silk in front of water, calligraphy and painting, yellow silk in back, water barrier, white Song Dynasty Gaoli paper at the end, and must be sealed in seven directions (seven seals). The seven seals are: 1. The gourd seal of "Royal Letter" is engraved in the joint between Ling Tiantou and the front water barrier (Picture 1) 2. The "Double Dragon" round seal (common on scrolls) is stamped on the signature, or the square seal (picture scroll) is on the head of the ink inscription (Pictures 2 and 3) 3. The "Xuanhe" continuous beads seal is usually separated from the water by the seam between the calligraphy and painting (Picture 4) 4. The seals of "Zhenghe" and "Xuanhe" (occasionally "Zhonghe" or "Daguan" seals are also used) are usually placed where the main painting and the back are connected across the water (Pictures 5 and 6) 5. The "Zhenghe" continuous beads seal is usually sealed and connected to the end paper of Gaoli in the White Song Dynasty across water (Figure 7) 6. The "Seal of the Neifu Book" is usually engraved in the middle of the endpaper of Gaoli's paper in the White Song Dynasty (Figure 8). In summary, a simple illustration of a Xuanhe outfit is roughly what the picture shows. (Figure 9) Have you learned anything today?

I don't know what to say, but this article really attracted me! When you become popular, I hope I can become an old fan hehehehe😄 [Those two pictures were made by myself. Although they are a bit ugly, I hope you won't dislike them] In addition, Yan Yanzi is really straight, calling Mianmian a beggar, but what bad intentions could Yan Yanzi have😏

Because the article caused a wave of abuse a while ago Most old readers are accustomed to Some new readers made some complaints I hereby declare that this article is not a sweet pet article! Not a sweet pet article! The male protagonist is not the kind of heroine who sells the company but still says my wife is awesome and then sells a few characters for fun🤗 So if you want to watch this kind of plot, don't follow it. There may be abuse later on. I gave out both candies and knives in a mix. The second article is not Gong Douwen! It's not a home-cooking novel! The heroine is not someone who was abused today and will rush over to slap someone in the next chapter, and the protagonist has a dazzling aura🤗 So don't always ask me why you didn't abuse the male protagonist and let him go. Sorry, the article has an outline and the plot is arranged. No matter how many times you ask me, I will still follow my settings. I have a writing habit where characters drive the plot, and it is impossible to abandon characters for the sake of plot. Mr. Yan might have touched his head when he noticed Mianmian was confused in the early stage and said, are you okay, baby? Is it possible that Mianmian will be exposed in advance before she achieves her goal? Neither. Finally, with all due respect, this world is not that beautiful. Everyone has their own purpose, their own temper, their own past, and their own scheming. If you say an outrageous thing in anger and you are punished by death (of course I am not whitewashing it, otherwise there will be no torture arrangements later in my outline), then this is not the world, but the fandom. Even when writing a novel, I want to show you a world. A world of stories, a world of character growth. A period of time, a period of change. Above, I will not answer if there is further abuse.

"Han Xizai's Night Banquet" is a painting by Gu Hongzhong, a painter of the Southern Tang Dynasty during the Five Dynasties and Ten Kingdoms period. It has a Song copy with color on silk and is now in the collection of the Palace Museum in Beijing. This picture depicts a night banquet held at the home of official Han Xizai, accompanied by music and music. It consists of five scenes: pipa playing, dancing, resting between banquets, blowing, and farewell to guests. The background of its creation is particularly intriguing. When the Southern Tang Dynasty was on the verge of extinction, the later master Li Yu used a large amount of property to appease the oppression of the north. On the other hand, he was constantly suspicious of his officials, especially those who came from the north. Han Xizai happened to be one of these people, and he was a noble from the north, which naturally aroused more suspicion. When Li Yu learned that Han Xizai was going to hold a banquet in the house one day, Li Yu was on high alert. He was very afraid that Han Xizai was using the guise of a banquet to discuss plans to overthrow the regime, so he sent his trusted painters Gu Hongzhong and Zhou Wenju to attend the banquet at Han's house, and asked them to record the entire process. When attending the banquet, they did not take out their paintbrushes directly. Instead, after the banquet, they relied on their superb "shorthand memorization" skills to draw various scenes at the banquet. After seeing their pictures, Li Yu breathed a sigh of relief and temporarily let down his guard. The lines of the entire work are strong and smooth, neat and precise, and the composition is imaginative. The character shapes are accurate and subtle, the lines are fine and smooth, and the colors are gorgeous and elegant. The use of brush and ink for different objects is full of variety, especially the color application, which is richer and more harmonious. It is known as one of the top ten famous paintings handed down from generation to generation.