I Build Cultural Relics for the Country

First of all, the book is very good. It allows us to learn a lot about cultural relics. The overall intention is very good. Disadvantages: The age of the protagonist is too young, and playing music, chess, calligraphy and painting is not something that can be accomplished in a day. No matter how hard you work, you won't be able to say you have achieved anything within ten or twenty years. Even if a senior student had a time-travel function, it would be impossible for him to surpass the master in painting skills. So there is something wrong with the settings. When writing a book, it is very important to have a setting that can withstand scrutiny, be logical, and be self-explanatory. For example, in some online articles, a young employee who just graduated traveled to another world and became a big boss. There is something wrong with the character setting of this kind of online novel. A young employee who has just graduated has no experience, no life experience, and is not in a high position. Just because he has learned modern scientific and technological knowledge, he competes with the ancients? Isn't that nonsense? Is there any difference between ancient people and modern people in terms of human nature, life experience, and wisdom? What can make the difference is thinking, but thinking alone can change the world. This is writing in vain. A book with unreasonable settings cannot have a good storyline, because the author doesn't even pay attention to the settings, and it is even less possible to pay attention to the storyline of a long series. In the end, it was just a matter of patching things together. This kind of book makes me feel internally hurt even while watching the excitement.

I came across this book by accident and thought it would be boring, but I didn't expect it to be a story. Because I have never watched this series of programs, I was still surprised to see Xiang Nan using boiling water to repair ancient paintings.

By the way, a classmate of mine is studying something related to this major. Although she was transferred there, I wonder if she will become a very powerful person like Xiang Nan in the future, repairing cultural relics for the country~

I thought it was pretty good-looking at first, but when I saw the "fat guy" Qian Xiaoyong in the back, I couldn't stand it anymore. Personally, I don't like Zi Lai Shu who doesn't understand sense of proportion. If you want to start a live broadcast, why do you want to live broadcast someone restoring an ancient painting without letting people reject it? Then you won't be able to watch it anymore. Maybe different people have different feelings when reading the text, but when I read it, Qian Xiaoyong felt like he was a very familiar person who didn't understand the rules.

There are a few big flaws that need to be complained about: 1. The recall skill can be used to identify cultural relics, but repairing it is not possible. . Being able to see and being able to cultivate are always two different things. If you see someone drawing something, you will definitely be able to draw it? It would take a very, very extreme genius to do it, and skills and talents are completely different things. No one can do it at the age of twenty. Even if you are a genius, you still have to lay the groundwork. In fact, you can completely change the talent to replicate it. 2. About 100 chapters have an expert as the team leader. I can definitely say that the Shanghai curator only does this if he has a crazy brain. Skills and positions are always two different things. If you have the ability, I will support you, but with this kind of mixed qualifications, regarding the promotion of essential things, you let outsiders guide your own people to work, without distinguishing between internal and external, who will work with you in the future. And a carrot and a stick? Not to mention respecting your seniors, but you, an outsider, have the guts to say it out loud? You know that no matter how talented you are, you won't be able to survive, because respect for seniors is more important in smaller and more professional circles, because the restoration work itself is not for work. In short, the world does not lack geniuses, let alone peerless geniuses. What it lacks is geniuses that need to be sliced ​​and geniuses that can be used by me. 3. The historical story is really interspersed with chaos, and I want to jump over it every time. If this is an entertainment category, I don't have to be serious. This kind of popular science history must be true, because it can easily mislead people. You must be careful when writing about relevant history, and write whatever comes to mind. You can write about the Great Wall if you want, or you can write about the history of the Great Wall. Write about Qin Shihuang or Emperor Wu of Han, even if you make up one of them, there must be a reason. You can't just write whenever you want. Then I stand on the ground and write about Yanhuang today, Qing Dynasty tomorrow, and Jurassic the day after tomorrow. . . When I see the moon, should I recite the poem about the moon? You need to mean what you say. When writing about the Great Wall, you write about a brick. You tell me which brick maker it is, which year it was built, and which year it was built. When writing a painting, you can write this tree or this grass. Why did you draw it like this? Then write how you put the pen to paper at that time, and then write why you drew it. There are foreshadowings, statements, and summaries. Stories have a beginning and an end. All your stories are incomplete, or you don't know what to say even after telling them for a long time. Of course, when writing about restoration, it is also very empty (perhaps it is a bit too professional), just like seeing a stone and constantly saying, "It's so big, ah, it's so awesome, ah". . . Blow hard, I really don't know what's better. And you keep saying how powerful this technology is, but the writing is so artistic. . . . We saw that you boasted about your skills for a long time, and finally you concluded that this art was in place. . . Watt. . Technical copying is unemotional. Yes, he is trying to figure it out, but the important thing is to copy, to be like, to be more like, to make the fake look like the real thing. You said that you painted a real picture, which is problematic in itself, because people are always different. You can definitely write down how to place this stroke, then how it was originally placed, and how I followed it, so that it fits the entire painting, etc., To improve your artistic attainments. It's not that I gained feelings after reading other people's stories, I became the same as what he drew. . . (OMG!). .

I only remembered after reading dozens of chapters that I haven't read how many chapters have been written. There are more than a thousand chapters. It's great. Come on ＾0＾~

Why does every chapter of a book about cultural relics have to be forcibly related to the nation-state? Isn't it too grand and upright? Patriotism can be kept in your heart, you don't have to say it out every time.

This book was recommended by the author when I was watching Global High Martial Arts. I felt that the book was very similar to the documentary about me repairing cultural relics in the Forbidden City, so I picked it up and read it, and then I was deeply attracted and moved. I hope the author will update it soon, it's a great book!

Are there any book friends who have read for 8000+ hours? Let's have a round of mutual relations

I feel like the author is contradictory in writing these chapters. Since it is for the purpose of inheriting skills, it can be written as a recipe experimented under the guidance of ancient book references and practical examples. The author's attitude of not acknowledging that he inherited the perfect combination of skills makes Xiang Nan look hypocritical. The attitude of not only wanting to pass on this skill but also claiming it as one's own seems a bit greedy.