About This Novel
[Spy war + material trading + global game + top cool article] [Keep history in mind, honor the martyrs, and move forward bravely-first-class essay to commemorate the 80th anniversary of the victory of the Anti-Japanese War] In the twenty-seventh year of the Republic of China, Chen Yang, an agent with multiple identities, was ordered to lurk in the Japanese and puppet agencies to provide intelligence to the organization. In order to better lurk and gain the trust of the Japanese, Chen Yang set up bait, intertwined networks, and wooed Japanese Army Logistics Department officials. Japanese: "Chen Sang, I suspect we have a traitor." Chen Yang: "Yes, I am the traitor." Japanese: "Chen Sang. Please don't make such jokes. It's not funny at all." "By the way, regarding this material matter, are you..." Chen Yang: "Don't worry about the supplies. Your Majesty, Colonel, this is yours..." Japanese: "Isn't this too much?" ... After Japan's defeat Japanese: Sorry, Chen Sang, we failed to live up to your expectations! Some years later, Chen Yang: This is the Jade Guanyin and documents that can prove my identity... What? Impossible, how could you be one of our own! Group number: 914777060, welcome to enter...
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Official(32)Scraped 20d ago
Three years and three years, when will it end?
Thank you for the seven-day free membership This is another classic spy novel of the Republic of China. The protagonist, as a time traveler, lurks behind enemy lines and stirs up troubles. At the same time, this is also a rare type of lurking novel with a business perspective as the main line. The protagonist returned to Japan and was influenced by his teacher, and was highly regarded by the Japanese and Japanese puppets. As a high-ranking official of the Japanese and puppets in Jinling, he was also a latent agent of our party and a latent agent of the military command. He relied on multiple hidden identities to stir up troubles behind enemy lines and successfully rose to power. In the end, he was almost able to reach the status of the leader of the Japanese and puppets. The protagonist, Goldfinger, is an AI system written in his previous life. He has powerful computing power and can calculate many things that are difficult to calculate manually. This gives him strong intelligence analysis capabilities and can calculate the specific direction in which the enemy wants to attack based on the transportation of supplies and ammunition. This also provides great convenience for transmitting information, and also clears the way for his lurking work. At present, I can't see how he can still be alive after his death and liberation. Let's see how to deal with it in the future. I don't know if the protagonist can significantly change the course of history and liberate his homeland as soon as possible. Friends who like spy novels, don't miss this novel. It's really good.
The dialogue is too rough
When the protagonist is fighting with the Japanese, both the Japanese and the protagonist speak directly and directly. There is no thinking process in the whole process, and there is no scheming in the city. At the beginning, he just cuts his face and goes straight to the topic without mercy. It seems to be set up like an NPC. It's too ugly. Isn't the most important thing about writing a spy story the confrontation hidden in the shadows? The first dozen or so pieces of content, not to mention other bugs, this conversation is too uncomfortable.
Today I went to re-read Chen's A-level book. The codename Mount Fuji appeared in the previous book, when Boss Dai was checking his aunt's background.
What kind of rubbish have you been writing these past two days?
Dumb novel. Even though I have no power, I still dance so happily! I don't even have any subordinates. Just offend someone. Don't you know that a little gangster can kill someone just for a little bit of money? You all know that if someone kills you with a gun, you can run away, and the person behind the person can also silence you. Didn't you know that there is a profession called a killer?
Why is the author still slapping himself in the face?
Ming Lou script
I can't see the protagonist kneeling down, I don't know what it means
I am looking forward to the sequel of the last book
Those who come from next door must be Chen A-level
After reading the introduction, does the protagonist not plan to run away? Can Jianguo live an easy life as the protagonist?
Rating
Community(0)
Official(32)Scraped 20d ago
Three years and three years, when will it end?
Thank you for the seven-day free membership This is another classic spy novel of the Republic of China. The protagonist, as a time traveler, lurks behind enemy lines and stirs up troubles. At the same time, this is also a rare type of lurking novel with a business perspective as the main line. The protagonist returned to Japan and was influenced by his teacher, and was highly regarded by the Japanese and Japanese puppets. As a high-ranking official of the Japanese and puppets in Jinling, he was also a latent agent of our party and a latent agent of the military command. He relied on multiple hidden identities to stir up troubles behind enemy lines and successfully rose to power. In the end, he was almost able to reach the status of the leader of the Japanese and puppets. The protagonist, Goldfinger, is an AI system written in his previous life. He has powerful computing power and can calculate many things that are difficult to calculate manually. This gives him strong intelligence analysis capabilities and can calculate the specific direction in which the enemy wants to attack based on the transportation of supplies and ammunition. This also provides great convenience for transmitting information, and also clears the way for his lurking work. At present, I can't see how he can still be alive after his death and liberation. Let's see how to deal with it in the future. I don't know if the protagonist can significantly change the course of history and liberate his homeland as soon as possible. Friends who like spy novels, don't miss this novel. It's really good.
The dialogue is too rough
When the protagonist is fighting with the Japanese, both the Japanese and the protagonist speak directly and directly. There is no thinking process in the whole process, and there is no scheming in the city. At the beginning, he just cuts his face and goes straight to the topic without mercy. It seems to be set up like an NPC. It's too ugly. Isn't the most important thing about writing a spy story the confrontation hidden in the shadows? The first dozen or so pieces of content, not to mention other bugs, this conversation is too uncomfortable.
Today I went to re-read Chen's A-level book. The codename Mount Fuji appeared in the previous book, when Boss Dai was checking his aunt's background.
What kind of rubbish have you been writing these past two days?
Dumb novel. Even though I have no power, I still dance so happily! I don't even have any subordinates. Just offend someone. Don't you know that a little gangster can kill someone just for a little bit of money? You all know that if someone kills you with a gun, you can run away, and the person behind the person can also silence you. Didn't you know that there is a profession called a killer?
Why is the author still slapping himself in the face?
Ming Lou script
I can't see the protagonist kneeling down, I don't know what it means
I am looking forward to the sequel of the last book
Those who come from next door must be Chen A-level
After reading the introduction, does the protagonist not plan to run away? Can Jianguo live an easy life as the protagonist?
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Official(1)
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