Edge of Doom

Why is there no book club group? I checked the old book and couldn't find it. Is it because there is no link in the reading section?

1. The content and text are smooth. 2. The male protagonist can be reborn continuously, but he doesn't know it at the beginning. In the first rebirth, because the team members were soft-hearted and put other people's spies inside, they had a little but not much awareness of precautions. As a result, the teammates were tricked to death, and the male protagonist was the only one left. 3. The male protagonist injured the enemy team and then went out to duel with the opponent's leader. After the victory, he did not rush back to the house but sat down to rest. He was drowned and killed by the swarming zombies. There is absolutely no need to go out for a duel. You can simply injure the opponent and wait for the zombies to swamp him. Failure to return in time after the duel is a plot kill. The male protagonist specially selected a sparsely populated neighborhood to bring so many zombies. 4. Liang Zi, a security guard with a decent character at first. The protagonist called everyone he knew and tried to find a way to get him out of the crowd. This security guard would be a good teammate if he didn't transform into a corpse. The protagonist let it go and the security guard followed a villainous boss and his dark side was amplified and he turned into a villain. There are only a handful of absolutely good people in the world, and a minority of absolutely bad people. The majority are people who follow the crowd. People who follow the crowd will probably become good people under a good team and good leadership, but will basically become scum under a bad team and evil people. 5. The old lady in the team and the female boxing fairy can even point at the protagonist and scold him, but the protagonist can still accept it. There are indeed some people in this group who have certain talents. The protagonist can indeed unite some people by swallowing his anger, but he is frustrated. 6. The female boxing fairy steals the food collected by the team, and the female boxing fairy's boyfriend protects her. The protagonist wants to kick them out of the team. The protagonist's college roommate has a lust for the female boxing fairy. The male protagonist wants to stay loyal to his roommate and avoid getting into trouble with his roommate. He decides to keep the fairy and give his roommate a chance. He is not afraid of bad things happening, but afraid of not having good people. Even Water Margin bandit Kou Yanshun knows that people like Liu Gao's wife who instigate trouble cannot be kept. The protagonist is not afraid that the unsteady will of his roommate will be softened by the wind of the fairy pillow in the future.

When I happened to pass by the book review section, I discovered that he had been banned for decades. I didn't post any extreme comments, just saying that his introduction was not good, and there was no quarrel in the comment section of the post I posted. The author will never write a good book, so he doesn't need to focus on the book.

As for this book, although it is still inseparable from the old routine of the boss, it is not very different from 30 Million in the End of the World, but it has added newer elements. After all, it is infinite rebirth. This is actually quite interesting. Others can write about it, but they don't write it in such detail. What's the key point? I saw a concept put forward by an author, and writing it down made me feel that this book was real in some aspects for the first time. I have never been exposed to this concept before. It is the feeling that few authors can write like this. It is written in such an obvious way, which makes me feel really awesome. Often when an author writes a novel, he rarely writes supporting characters. He knows that the protagonist is the protagonist, so he respects the protagonist. This kind of plot is rarely written. At least, I have not been very impressed by this kind of plot. But in this book, the author proposed such a concept and then expanded it and wrote it out, which made me feel very confused. How should I put it? The protagonist is a reborn person. After he was reborn, he told his brother that he was a reborn person, and then he also recruited his female teammates. Anyway, there was a small group of six people, and they survived. Then he recruited two female teammates, the protagonist and Ming Ming. One of them has feelings, and the other one may have feelings, but maybe not. Then his two brothers said, anyway, after the protagonist chooses which one, we will compete fairly with the other one. Then one of the brothers directly said, do you know what being a reborn person means? If you want to take off my clothes and go into the water to die, you can go alone, I won't go. I didn't react at first, but then I remembered that what the protagonist's brother meant was that the protagonist is a reborn person, which means that he is a protagonist. If you dare to touch the protagonist's woman, you can't touch it, whether it is two women or one woman. As long as the protagonist likes it, you can't touch it. Damn it, this sentence is so sober. Brothers, there are very few supporting roles. The protagonist is the protagonist, so we must respect the protagonist and not steal the protagonist's woman. Damn it, I really said it directly, and then the two brothers reached an agreement that neither of the two women in the protagonist dared to touch it. What do you think of this plot? It's so awesome, that's it. Everyone may feel that it's an unspoken rule. Subconsciously, the woman who is the protagonist is absolutely untouchable, but few supporting characters will realize this.

Originally, the protagonist's virginity was still within the acceptable range, but these chapters really made me feel physically uncomfortable. The protagonist is a clown.

If it was written before, it was still good, but now it is getting more and more rubbish. In the past few rebirths, I could only say that the protagonist is growing up. What have you been writing about in recent rebirths? Obviously the protagonist can do better on his own, but he has to bring in a wave of military and police. Try to find something that is holding you back to make it more difficult for the protagonist. Otherwise, if I don't believe you, what would you say to define a reborn person? Otherwise, you will tell endless lies and the main character of the deception will be like a fool. I thought that after rebirth, I would work hard to develop a base and research vaccines. Throw away the people who are holding you back and don't believe in the protagonist. Who would have thought that you would tell others everything about your rebirth, thereby adding uncertain risk factors to yourself. If you are causing trouble for yourself, you might as well just study vaccines honestly. I have been reborn several times and been deceived by others several times. If the protagonist was not the protagonist, I don't know how many times he would have died. The original courage to research vaccines has been reborn again. Make it harder for yourself. You might as well be a dictator and develop a vaccine to save the world. Why are you wasting so much time?

It is obvious that he has no management ability at all except for being reborn. They insist on competing with the government for leadership. It is not incomprehensible if you say that he is selfish and wants to take advantage of the reshuffle of the last days to become a master. But the author chose to set him up so that his purpose is to save the world rather than seeking personal gain. To put it bluntly, look at the overall situation. The only use of the protagonist is to be reborn, tell all the information, and then hand over the decision to the official think tank and ask for all the important information to prepare for the next rebirth.

Let me state in advance that the following only represents my personal opinion. If you have different opinions, let it be yours. The author's writing skills are still there, and each character is deeply portrayed, but when combined together, it is very funny. Let's first evaluate the protagonist Yu Dong. Boss Cao's evaluation of Yuan Shao can be reproduced almost intact: fierce but timid, scheming but never decisive, doing big things but cherishing one's life, seeing small gains and forgetting one's life. There is no one who has the most useless rebirth ability I have ever seen, even worse than re0 Subaru Natsuki. I can do it all over again, but I still put the overall situation first and always compromise for various reasons. It's hilarious. You want to write protagonists who have a growth arc. OK, that's no problem. But from the plot structure design, I didn't see where he grew up at all. After the third rebirth, I basically concluded that I could do it again indefinitely. The protagonist still played the same way - this time he must achieve a certain result in his rebirth, and it must be like this. What's the idea? This is the idea of ​​a limited number of rebirths. But do you want to say that the protagonist does not realize that he can restart infinitely? Apparently not. Because in his psychological description, he always has the idea of ​​"turning the table" in the next life. I've restarted indefinitely, and I'm still exhausted every day? I made a strategic mistake. Is it difficult for me to shoot myself in the head and restart immediately? It is extremely sad to die, and the moral bottom line cannot be crossed. It is a conventional way of writing to suppress first when you want to raise, but you can't just raise it reluctantly after suppressing it. Are you writing a novel or being a moral pioneer? Or is this the "realism" and "not a novice" that some readers have been emphasizing? To be honest, the last person who gave me such a hard time in terms of "growing" was Lu Mingfei. As I write this, my emotions have gone down. I can only say that I am not the audience. The author does not need to take it to heart, after all, the reference value of comments from non-audiences is limited. Above.

Disgusting, very disgusting. This is my biggest impression of this book.

I have read apocalyptic novels for so many years, and this is the first time I have seen one that was so vicious. I feel that the author's culture is very low, but he has a set of logic to write down. He has learned the skills and templates, which is suitable for the physique of a tomato baby. It is hard to imagine that this is an apocalyptic novel that has been on the list in 26 years.