About This Novel
The stage in early winter is set up in the harvested rice fields, high and simple. Standing under the stage and looking up from the gaps in the stage, you can clearly see the actors' clothing, gestures, and their faces lowered in contemplation. When people on the stage hurriedly walked somersaults or fought, dust and mud would fall from the top, and the children below would scream and run away. There was no electricity, and there were two large gas lamps hanging on the left and right sides of the crossbar in front of the stage. They hissed and shone with a blinding white light. A large number of moths flapped their cold wings and danced excitedly in the light. The rice paddies, hills and trees in the villages are filled with theatergoers, who come from nearby villages or further afield. In the 1950s and 1960s, theater viewing was a grand event in rural areas. It doesn't matter whether the play is good or not. What's important is the activity of watching the play itself, which brings infinite happiness to lonely rural areas.
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