Society Fears the Witch at the End of the World

It looks good. Although the main character is socially terrified, she belongs to the type where the more scared she is, the more she has to eliminate the source of fear, rather than the common type who is unable to move due to fear. In fact, I didn't like the main character's character at first. It felt a bit too useless, but the more I watched it, the more I liked it. Although she was extremely scared, the action she took was real and unambiguous (put yourself in her shoes). I honestly thought that I shouldn't have been able to do it before I was beaten. After all, it's a bit difficult to change my mind after a long period of peace.) Compared with those Madonnas who are easily kidnapped by morality, I feel much more comfortable with it. It's not that I don't like Madonna, on the contrary, I respect Madonna very much (Madonna bitch, get out). I don't like it just because I don't want to be Madonna, so I don't like the perspective of the protagonist who is a Madonna.

In the beginning, she was a kind-hearted little girl with social fears, but later she turned into a pink murderer. I can only say that the protagonist is really adapted to the apocalypse. Her personality is different from that of the male protagonist in Shuangwen, but her acting style is similar (killing the whole family)

The writing is okay, but it's a bit witty. .

Why is there only one update a day? ( •̥́ ˍ •̀ू )嘤嘤嘤~

When reading this book, I feel like: "As long as I have no morals, I will not be kidnapped by morality." It's the same, it's very enjoyable to read, but the writing is quite bad, and the writing is also quite good.

I directly commented that Jimei was the only one who gave positive reviews, and I can only say that it really deserves to be written by a female protagonist. I'd like to ask if I can watch it. If so, the writing is okay and the plot isn't too bad. It's just that there are a few too many poisonous points. For example, the decisive attribute of killing, which may be regarded as the favorite of some people in male videos, has been successfully combined with the indefinable and indescribable attributes of the Jimei people in this book, and the humanoid Cthulhu has been successfully created by using the protagonist's social fear name and abstract malicious perception skills. Just one glance at someone with a lewd eye will make you stand out. There are too many people watching, and if the protagonist is frightened, he can only ignore you and make the whole town happy. What? You call me a hateful witch? You already have a way to die! Of course, the heroine started to promote others wantonly, and after aoing regardless of the consequences, the author would thoughtfully post a patch. Everyone is not a good person, so if you promote others, you will be promoted. Do you think there is something wrong with the author's writing? Not necessarily, everyone loves to watch The Killing and Decisiveness, but why do I feel that it is so abstract? For example, I won't fight anyone who can beat the protagonist to death, or even lick them directly. I won't go into details about those who can't beat the protagonist and dance more happily than the other. For example, at the very beginning, I gave advice to the heroine, and I can be considered as someone who helped the protagonist. Later, he was portrayed as a pure character, but he was directly punished by the author. The heroine even watched the show from the side without recognizing the person. After both sides were hurt, he went to defend himself tomorrow out of fear and picked up someone's head. To sum up the heroine in one sentence, I don't think she is a person at all. She is just an unknown thing walking around. She has no goals and no position. It is completely unclear what the purpose of designing this character is.

The character description is 10 points, it is full of characteristics, the writing is also good, there are basically no poisonous points (at least I didn't find it), it is mixed with comedy, and it is happy and comfortable. It is very enjoyable to watch. I haven't seen any interruptions (at least I haven't seen it now) except for some low IQ. After all, I can survive the weekend, and my IQ should not be too low. I am now more and more curious about the plot behind it. I look forward to +1

Let's talk about the advantages first: it's obviously a refreshing story, and the word "shuang" is implemented very well. Revenge basically doesn't last more than one chapter (except for a certain super Gou King's blood magic that lasted more than 300 chapters from the beginning before dying). The heroine is decisive in killing, and passers-by who have just had evil thoughts will die instantly, and will never be kidnapped by morality (they will actually die before they can say it later). Generally speaking, there are no poisonous points, and the heroine's strength is stable and invincible. Then there are some shortcomings (in my opinion): the background setting is average, and the numerical details cannot be delved into (for example, the size of the heroine's magic space, just treat it as infinite without looking at the numbers, and the heroine's material reserves can also be treated as infinite). After all, it is all magic, right? The description of the battle is slightly poor, which may be because the heroine was too aggressive. The battle scene passed quickly. There are too many named villains, and there are no villains with distinctive and impressive personalities. It is also difficult for the author to name so many supporting characters who die in seconds. Generally speaking, the level is average. You can read it at the first glance. It is not recommended to read it for a second time. It can be read by those who are in a book shortage. Readers with a Virgin Heart and a Glass Heart may get into it by mistake.

First of all, the heroine, a socially fearful character, seemed okay at first. She is nervous when meeting people but is decisive in her actions. But every time I meet someone, I have to write that the heroine is shaking first, and the result is that she strikes quickly and accurately. It's boring every time this kind of plot happens. Besides, when we were in the villa, I didn't control my body from shaking and tried to keep an expressionless face, but it became more and more serious. The contrast in the characters is nice, but it always feels like there's not much growth. And I always feel that the heroine has issues with her emotional intelligence and even common sense. The heroine is so afraid of people that when people are grabbing food outside, she still eats hot pot and a series of delicious food in the villa. I'm afraid that others won't know that this person is there and won't come to snatch it, right? Secondly, rescuing people. A twelve-year-old girl is in relatively low risk. I don't think there is much to say about rescuing people when she is safe. But the heroine did not avoid Xiao An at all in the follow-up, taking food and conjuring things out of thin air. It's just that the heroine's vigilance towards her own secrets is very low, which is quite strange. There is also the magic book in the hotel in the first chapter, and the lack of response to the inexplicable behavior of the heroine. The store and the clerk are also quite strange. Some of Xiao An's behaviors in the early stage were also very strange. He was inexplicably afraid and nervous. There was a reason for it. I will write about it later, but it did seem strange in the early stage. However, the plot is indeed interesting, but I am too imaginative to guess what will happen next, so I continued to watch it. Then there is a force led by a demon girl, and they start fighting with the heroine. The whole fighting process and dialogue descriptions feel a little crazy and a little bit chubby. Let's finish the fight. The heroine from the army is here. It feels like it's been almost a month since she arrived. What can I say? The world is very dangerous, but we have to send people from all the way here. Why can't we call the nearest team first? The heroine has no signal here, please contact each team. Also, when I contacted the heroine for the first time, I asked her a few questions on the phone and then hung up. Isn't it okay to say something more, such as asking the heroine what she thinks and sending someone to pick her up? Why don't we have more contact and talk more. I immediately ended the call and went to the meeting, but when I called again there was no signal. Then the heroine followed the army for just one day, and was separated in danger. Then the heroine went to the shelter by herself, and there were various incidents along the way. It felt quite creative in the early stage, but later on, the Blood Demon Book and the jellyfish-like matrix appeared, and all kinds of messy elements came out. It just feels a bit messy, too messy. And there's also some talk about race, and there's also a talking myna. Then these species seem to have a normal understanding that the heroine is a witch. Even in the Doomsday, many people have awakened their abilities, but these special creatures all assume that the heroine is a witch, not an awakened ability user, just like it is a well-known fact that the heroine is a witch. I saw a chapter about defeating the jellyfish and taking the myna on the road. I don't want to watch it anymore, I feel like the plot is too confusing.

It's so good that you won't get tired of it. I recommend everyone to watch it.