I Am the Fairy of Tea

The protagonist has practiced a little bit more and is still as weak as a dog.

There is a teapot hanging, but the force value is a little higher than that of ordinary people, equivalent to the special forces of the army. When Gouba meets him, he will not run away, but he is too lazy to talk about the emotional part. It is so bad. He knows that the female college classmate is a gold digger and has a partner, but he keeps cutting and messing up the scene. If you want to go to it, go to it, no. Just tell her to get lost. She didn't mean anything and let her parents misunderstand her. And the female tour guide, I'm really too lazy to complain. Otherwise, don't write emotional scenes. The male protagonist's parents are also the same. When they see a woman, they think she is the male protagonist's target. They are speechless. If you want to write about cultivating immortals, just write the emotional part about cultivating immortals. Be normal.

The description of the protagonist is very contradictory. He wants to be a human being in the dog's way. It's just that he didn't have the ability to escape before. Now that he has you, he still doesn't run away. Even if he runs away and is caught again, he will find it more reasonable.