Tian Ci's Marriage: Lucky Wife Has Space

To be honest, I saw that this book had high ratings and the comment section said it was good so I added it to my bookshelf, but the plot really made me feel physically uncomfortable. I know that the author set the heroine to be an ordinary white-collar worker, just an ordinary little girl, but I feel that since she can travel through time and be your protagonist, she has certain shining points. But after reading about ten chapters, I was a little disappointed in the plot arrangement. Just say that every time the heroine is in danger and the hero appears to help, this cliched and tacky plot can be used once or twice. I think it is okay. However, every time the heroine is in danger and the hero appears in the ten chapters, the heroine is like a mad man and has not grown at all. Besides, there is a plot where the heroine is followed by a gangster and wants to have sex. The heroine clearly has a weapon and a hoe in her hand, and there is room for escape. Such a good plot for character growth, but it is written in such a way that the heroine is so timid? You are almost insulted. When there is a huge disparity in strength between men and women, and it is clear that you cannot escape at first glance, you don't want to fight with others and just want to escape? Still thinking about not daring to kill anyone? Please, the location you set is on a mountain. There are only the heroine and the supporting character on the mountain. Can you wave the hoe to stun the supporting character and push him to the foot of the mountain and pretend that he accidentally rolled off the cliff? Isn't it okay for the male protagonist to silently deal with her aftermath after witnessing it? Do you have to arrange a cliche plot in which a hero saves a beauty? Forget about arranging this plot. After the male protagonist rescues the female protagonist, the female protagonist doesn't want to vent her anger by punching the gangster again when he can't resist, but she actually wants to poach him? Are you still chatting with the male protagonist like it's nothing? You are an ordinary person, aren't you afraid? Don't you hate it? Moreover, the heroine has encountered difficulties not just once or twice, but she has not grown at all? Although you are a modern person who traveled through time, but you have arrived in a strange place, even if you are an ordinary person, you have experienced so many difficulties, you should realize that the environment here is different from the environment where you grew up, and your personality will grow to some extent, right? Instead of just letting it go every time something happens, right? You can't always arrange for the male protagonist to save the heroine when something happens in the subsequent plots, right? Then this book should not be called The Lucky Wife Has Space, it should be called The Lucky Wife Has a Male Protagonist.

The idea is still very good, but the character of the heroine is too boring. First of all, as a modern person, if I feel like it, I should tell it and ask about it. Even if you are rejected, give yourself an explanation. After grinding and whining like this, in the end I didn't go into the room and missed the letter written by the hero. Then I was left guessing alone, feeling inexplicably melancholy and sad (I don't understand why the male protagonist didn't leave the letter at the female protagonist's house when he left after giving the jade pendant and money to the female protagonist). Secondly, it's a bit cliche for heroes to save beauties over and over again. None of the heroines learned from this. The most important thing is the time when I went into the mountain and met a tiger. In the end, the dimension was exposed, and the result was that the male protagonist was injured before entering the dimension. (Why didn't you enter the space before the male protagonist came? You have to anger the tiger before entering the space when the male protagonist comes. And I think as an ordinary person who meets two tigers, wouldn't he enter the space as soon as there is space? Still waiting there, what are you waiting for, waiting for the male protagonist to get hurt??? Not decisive at all, no wonder he appears hesitant) Finally, why did you take two people from the Chu family with you when you left the village? To be honest, not only do these two people have no force value, but the heroine herself also has no force value. What should you do if you are really in danger? (If you are in danger while walking alone, you can still enter the space.) What if these two people die trying to save the heroine? Then you will have to feel guilty for the rest of your life. Yes (for the heroine who doesn't dare to hit the hooligans hard, can someone die for you?)

Hahaha, I went to the swimming pool to swim, but I drowned. I seriously suspect that this swimming pool may not be on the right track. Chu Yun is really unlucky to have such a thing happen to him.

You were almost raped but you didn't dare to fight back. Moreover, space cabbage is so different from ordinary cabbage and you still dare to sell it for takeout. Isn't this just asking for death? It's completely exposed.

The heroine has a bit of low self-esteem. If modern people are really strong and live wantonly, that's not the character. Besides, those who work as planners in the company shouldn't be so indecisive! A little ink stain

It's beautiful, super beautiful. I finished reading it in one go. I hope there will be more updates!

Sisters, listen to me, don't look 😓

Check in, check in, check in, check in

Take care of what you have come. Chu Yun's rebirth now can be regarded as a great blessing from God. For Chu Yun, it really should be like this. After all, who doesn't want to live well?

Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh good writing.