The Alluring Female Pharmacist: Qing Mo Yanluo

The most pitiful person was Su Shangliu... Burst into tears...

This book is a series of synthesis and rewriting of ancient dynasties with the depth of human love and hatred and the peerless peaceful world view, depicting a silent war and chaos. Wu Qingge jumps from one era to another, and her gentleness and weakness, or cowardice, remain the same as always. In fact, it is called cowardice. It is better to use a better word to package it, which is kindness and avoiding hatred. Maybe deep down in the heart of the author, he loves this woman and is unwilling to portray her as sharp and hateful, so he replaces the ugliness with the identity of another soul. So Xiyan always breaks free from the shackles of the soul and appears on the stage, but compared to the heroine, I prefer Xiyan's distinctive personality. In the story, two heroines, two personalities and two souls occupy the same body, and the roles change with each other. In the end, the story still ends with goodwill and forgiveness. The novel is wrapped in the differences and otherness of human nature, and various unexplainable conditions are hidden in different backgrounds. The novel that attracts people's attention is the various aspects of practicing the piano and Wu Qingge's love. I remember a scene where Xu met her in the dark after being injured, and she didn't care who he was or where he came from, or if he was dangerous. She just said: "Although I hate you very much, I can't help the injured person until death." There is spirituality and irresistible delicacy in the language. These only happen to her. In the book, the lute never leaves her, and she never leaves the lute. In the end, the wuqin becomes her wedding dress. After six years of practicing the piano, she failed to get a bucket of rice, but she gained the lifelong companionship of a man of flesh and blood, allowing her to control the piano and live in peace for years to come.

This book is a series of synthesis and rewriting of ancient dynasties with the depth of human love and hatred and the peerless peaceful world view, depicting a silent war and chaos. Wu Qingge jumps from one era to another, and her gentleness and weakness, or cowardice, remain the same as always. In fact, it is called cowardice. It is better to use a better word to package it, which is kindness and avoiding hatred. Maybe deep down in the heart of the author, he loves this woman and is unwilling to portray her as sharp and hateful, so he replaces the ugliness with the identity of another soul. So Xiyan always breaks free from the shackles of the soul and appears on the stage, but compared to the heroine, I prefer Xiyan's distinctive personality. In the story, two heroines, two personalities and two souls occupy the same body, and the roles change with each other. In the end, the story still ends with goodwill and forgiveness. The novel is wrapped in the differences and otherness of human nature, and various unexplainable conditions are hidden in different backgrounds. The novel that attracts people's attention is the various aspects of practicing the piano and Wu Qingge's love. I remember a scene where Xu met her in the dark after being injured, and she didn't care who he was or where he came from, or if he was dangerous. She just said: "Although I hate you very much, I can't help the injured person until death." There is spirituality and irresistible delicacy in the language. These only happen to her. In the book, the lute never leaves her, and she never leaves the lute. In the end, the wuqin becomes her wedding dress. After six years of practicing the piano, she failed to get a bucket of rice, but she gained the lifelong companionship of a man of flesh and blood, allowing her to control the piano and live in peace for years to come.

This book is a series of synthesis and rewriting of ancient dynasties with the depth of human love and hatred and the peerless peaceful world view, depicting a silent war and chaos. Wu Qingge jumps from one era to another, and her gentleness and weakness, or cowardice, remain the same as always. In fact, it is called cowardice. It is better to use a better word to package it, which is kindness and avoiding hatred. Maybe deep down in the heart of the author, he loves this woman and is unwilling to portray her as sharp and hateful, so he replaces the ugliness with the identity of another soul. So Xiyan always breaks free from the shackles of the soul and appears on the stage, but compared to the heroine, I prefer Xiyan's distinctive personality. In the story, two heroines, two personalities and two souls occupy the same body, and the roles change with each other. In the end, the story still ends with goodwill and forgiveness. The novel is wrapped in the differences and otherness of human nature, and various unexplainable conditions are hidden in different backgrounds. The novel that attracts people's attention is the various aspects of practicing the piano and Wu Qingge's love. I remember a scene where Xu met her in the dark after being injured, and she didn't care who he was or where he came from, or if he was dangerous. She just said: "Although I hate you very much, I can't help the injured person until death." There is spirituality and irresistible delicacy in the language. These only happen to her. In the book, the lute never leaves her, and she never leaves the lute. In the end, the wuqin becomes her wedding dress. After six years of practicing the piano, she failed to get a bucket of rice, but she gained the lifelong companionship of a man of flesh and blood, allowing her to control the piano and live in peace for years to come.

This book is a series of synthesis and rewriting of ancient dynasties with the depth of human love and hatred and the peerless peaceful world view, depicting a silent war and chaos. Wu Qingge jumps from one era to another, and her gentleness and weakness, or cowardice, remain the same as always. In fact, it is called cowardice. It is better to use a better word to package it, which is kindness and avoiding hatred. Maybe deep down in the heart of the author, he loves this woman and is unwilling to portray her as sharp and hateful, so he replaces the ugliness with the identity of another soul. So Xiyan always breaks free from the shackles of the soul and appears on the stage, but compared to the heroine, I prefer Xiyan's distinctive personality. In the story, two heroines, two personalities and two souls occupy the same body, and the roles change with each other. In the end, the story still ends with goodwill and forgiveness. The novel is wrapped in the differences and otherness of human nature, and various unexplainable conditions are hidden in different backgrounds. The novel that attracts people's attention is the various aspects of practicing the piano and Wu Qingge's love. I remember a scene where Xu met her in the dark after being injured, and she didn't care who he was or where he came from, or if he was dangerous. She just said: "Although I hate you very much, I can't help the injured person until death." There is spirituality and irresistible delicacy in the language. These only happen to her. In the book, the lute never leaves her, and she never leaves the lute. In the end, the wuqin becomes her wedding dress. After six years of practicing the piano, she failed to get a bucket of rice, but she gained the lifelong companionship of a man of flesh and blood, allowing her to control the piano and live in peace for years to come.

This book is a series of synthesis and rewriting of ancient dynasties with the depth of human love and hatred and the peerless peaceful world view, depicting a silent war and chaos. Wu Qingge jumps from one era to another, and her gentleness and weakness, or cowardice, remain the same as always. In fact, it is called cowardice. It is better to use a better word to package it, which is kindness and avoiding hatred. Maybe deep down in the heart of the author, he loves this woman and is unwilling to portray her as sharp and hateful, so he replaces the ugliness with the identity of another soul. So Xiyan always breaks free from the shackles of the soul and appears on the stage, but compared to the heroine, I prefer Xiyan's distinctive personality. In the story, two heroines, two personalities and two souls occupy the same body, and the roles change with each other. In the end, the story still ends with goodwill and forgiveness. The novel is wrapped in the differences and otherness of human nature, and various unexplainable conditions are hidden in different backgrounds. The novel that attracts people's attention is the various aspects of practicing the piano and Wu Qingge's love. I remember a scene where Xu met her in the dark after being injured, and she didn't care who he was or where he came from, or if he was dangerous. She just said: "Although I hate you very much, I can't help the injured person until death." There is spirituality and irresistible delicacy in the language. These only happen to her. In the book, the lute never leaves her, and she never leaves the lute. In the end, the wuqin becomes her wedding dress. After six years of practicing the piano, she failed to get a bucket of rice, but she gained the lifelong companionship of a man of flesh and blood, allowing her to control the piano and live in peace for years to come.

This book is a series of synthesis and rewriting of ancient dynasties with the depth of human love and hatred and the peerless peaceful world view, depicting a silent war and chaos. Wu Qingge jumps from one era to another, and her gentleness and weakness, or cowardice, remain the same as always. In fact, it is called cowardice. It is better to use a better word to package it, which is kindness and avoiding hatred. Maybe deep down in the heart of the author, he loves this woman and is unwilling to portray her as sharp and hateful, so he replaces the ugliness with the identity of another soul. So Xiyan always breaks free from the shackles of the soul and appears on the stage, but compared to the heroine, I prefer Xiyan's distinctive personality. In the story, two heroines, two personalities and two souls occupy the same body, and the roles change with each other. In the end, the story still ends with goodwill and forgiveness. The novel is wrapped in the differences and otherness of human nature, and various unexplainable conditions are hidden in different backgrounds. The novel that attracts people's attention is the various aspects of practicing the piano and Wu Qingge's love. I remember a scene where Xu met her in the dark after being injured, and she didn't care who he was or where he came from, or if he was dangerous. She just said: "Although I hate you very much, I can't help the injured person until death." There is spirituality and irresistible delicacy in the language. These only happen to her. In the book, the lute never leaves her, and she never leaves the lute. In the end, the wuqin becomes her wedding dress. After six years of practicing the piano, she failed to get a bucket of rice, but she gained the lifelong companionship of a man of flesh and blood, allowing her to control the piano and live in peace for years to come.

This book is a series of synthesis and rewriting of ancient dynasties with the depth of human love and hatred and the peerless peaceful world view, depicting a silent war and chaos. Wu Qingge jumps from one era to another, and her gentleness and weakness, or cowardice, remain the same as always. In fact, it is called cowardice. It is better to use a better word to package it, which is kindness and avoiding hatred. Maybe deep down in the heart of the author, he loves this woman and is unwilling to portray her as sharp and hateful, so he replaces the ugliness with the identity of another soul. So Xiyan always breaks free from the shackles of the soul and appears on the stage, but compared to the heroine, I prefer Xiyan's distinctive personality. In the story, two heroines, two personalities and two souls occupy the same body, and the roles change with each other. In the end, the story still ends with goodwill and forgiveness. The novel is wrapped in the differences and otherness of human nature, and various unexplainable conditions are hidden in different backgrounds. The novel that attracts people's attention is the various aspects of practicing the piano and Wu Qingge's love. I remember a scene where Xu met her in the dark after being injured, and she didn't care who he was or where he came from, or if he was dangerous. She just said: "Although I hate you very much, I can't help the injured person until death." There is spirituality and irresistible delicacy in the language. These only happen to her. In the book, the lute never leaves her, and she never leaves the lute. In the end, the wuqin becomes her wedding dress. After six years of practicing the piano, she failed to get a bucket of rice, but she gained the lifelong companionship of a man of flesh and blood, allowing her to control the piano and live in peace for years to come.

This book is a series of synthesis and rewriting of ancient dynasties with the depth of human love and hatred and the peerless peaceful world view, depicting a silent war and chaos. Wu Qingge jumps from one era to another, and her gentleness and weakness, or cowardice, remain the same as always. In fact, it is called cowardice. It is better to use a better word to package it, which is kindness and avoiding hatred. Maybe deep down in the heart of the author, he loves this woman and is unwilling to portray her as sharp and hateful, so he replaces the ugliness with the identity of another soul. So Xiyan always breaks free from the shackles of the soul and appears on the stage, but compared to the heroine, I prefer Xiyan's distinctive personality. In the story, two heroines, two personalities and two souls occupy the same body, and the roles change with each other. In the end, the story still ends with goodwill and forgiveness. The novel is wrapped in the differences and otherness of human nature, and various unexplainable conditions are hidden in different backgrounds. The novel that attracts people's attention is the various aspects of practicing the piano and Wu Qingge's love. I remember a scene where Xu met her in the dark after being injured, and she didn't care who he was or where he came from, or if he was dangerous. She just said: "Although I hate you very much, I can't help the injured person until death." There is spirituality and irresistible delicacy in the language. These only happen to her. In the book, the lute never leaves her, and she never leaves the lute. In the end, the wuqin becomes her wedding dress. After six years of practicing the piano, she failed to get a bucket of rice, but she gained the lifelong companionship of a man of flesh and blood, allowing her to control the piano and live in peace for years to come.

This book is a series of synthesis and rewriting of ancient dynasties with the depth of human love and hatred and the peerless peaceful world view, depicting a silent war and chaos. Wu Qingge jumps from one era to another, and her gentleness and weakness, or cowardice, remain the same as always. In fact, it is called cowardice. It is better to use a better word to package it, which is kindness and avoiding hatred. Maybe deep down in the heart of the author, he loves this woman and is unwilling to portray her as sharp and hateful, so he replaces the ugliness with the identity of another soul. So Xiyan always breaks free from the shackles of the soul and appears on the stage, but compared to the heroine, I prefer Xiyan's distinctive personality. In the story, two heroines, two personalities and two souls occupy the same body, and the roles change with each other. In the end, the story still ends with goodwill and forgiveness. The novel is wrapped in the differences and otherness of human nature, and various unexplainable conditions are hidden in different backgrounds. The novel that attracts people's attention is the various aspects of practicing the piano and Wu Qingge's love. I remember a scene where Xu met her in the dark after being injured, and she didn't care who he was or where he came from, or if he was dangerous. She just said: "Although I hate you very much, I can't help the injured person until death." There is spirituality and irresistible delicacy in the language. These only happen to her. In the book, the lute never leaves her, and she never leaves the lute. In the end, the wuqin becomes her wedding dress. After six years of practicing the piano, she failed to get a bucket of rice, but she gained the lifelong companionship of a man of flesh and blood, allowing her to control the piano and live in peace for years to come.