Cultivation: I Can Intercept Endless Opportunities

I committed the biggest poisonous point of extraordinary literature. When the protagonist is at a low level, he rashly touches the highest level on the interface. Many similar articles about cultivating immortals have this kind of operation The most typical thing is that right at the beginning, it indicates that the world of cultivating immortals is about to face a catastrophe. The protagonist will give birth to a savior this time, etc. To be honest, most readers don't like this setting The essence of Chaofanwen is the upgrade flow This low level inexplicably opens a large map, which is very disgusting. Just say that the protagonist hasn't established a foundation yet I came into contact with such high-latitude things as the secret realm of time. There are a lot of secrets about the world It's very annoying. It's like constantly jumping levels to fight monsters.

This book was okay before I heard about the catastrophe of the world. To be honest, when I first encountered the plot of The Wizard, I thought it was the immortal civilization represented by the protagonist, the wizard civilization, and even other civilizations competing for hegemony in the heavens. I've read too many Witcher Contest stories and I want to read them. The article about cultivating immortals and fighting for hegemony. But I didn't expect that the more I wrote, the more I couldn't understand it. Especially the last one. Explain the origins of these entrepreneurs and explain the origin of the upper bound. You don't have the proportions to write such a grand scene and such a big world view. You write something more regular. Open the big map upgrade stream. And your cultivation promotion is just like a piece of cake. Anyway, I don't understand how you successfully upgraded. Even the golden elixir has arrived, the protagonist is more awesome, the protagonist is the most awesome, and the foundation building has just begun to touch the road. Each one of them is written brilliantly, and there are not many fighting scenes. How to attract people? It's really becoming more and more streamlined. I keep explaining there, holy shit, there are no ups and downs in emotions, and there are no ups and downs in the plot. It's like telling a story. And it's still an assembly line garbage story. And if there is a golden finger, the plot is usually unfolded with the golden finger. You golden finger. I have to look for you every time. I even looked for it, but I didn't see any plot. I almost lost sight of the Golden Finger later on. And other junior high school students and elementary school students know not to deviate from it when writing essays. Title, theme, your theme just says cut off resources. As a result, when I just entered the early stage of weapon refining in the world of cultivation, I wrote some detailed descriptions of stories. Later, it became more and more flowing, and you can still get up. To be honest, I didn't count some authors before, but now I hope you get this book. Write a good hegemony article. Write a cultivation essay. Doesn't it smell good? Get perfect attendance. I can make a little money, but I don't know what I can do. If I want to write a big scene, I will write another one. World view. You don't have that ability, at least for you now, you don't have that ability, you don't have that proportion. There is no ability to integrate the story setting and plot into the text. You just copied it very bluntly, and you didn't copy it completely, although what I wrote was not as good as yours. But I'm a bookworm. Read more books. Whether a book is well written or not, I can still understand it. That's your free book today, otherwise I wouldn't read it before it's on the shelves. If you don't want to build a machine, I won't watch it during the time when it is about to build a machine.

Do normal people take advantage of red opportunities at low levels? Low levels jump around in front of high levels.