I, Who Tortured the Readers, Were Knocked to the Ground by Them!

"Devilman", "Swordsman", "Big Sword", "Jun Ito Episode 2"

It's really hard to evaluate this book. If you say it's a no-brainer, that's not the fault. The logic and writing style are indeed very good. But if you say it's an excellent piece of writing, that's too much. My personal feeling is that the characters are too different. I have always felt very good about the role of Ruoye. She is like a virtuous wife. She can take care of large and small things in the internal environment and handle them well. She also tries her best to be her best in the career of the protagonist. Personally speaking, this character is almost perfect. On the other hand, the early appearance of the eldest lady character Shiyin left me with a feeling of overexertion despite her online identity. If I remember correctly, it was probably in the chapters 37 to 43. My feeling about this character was "this character is so inexplicable." I basically frowned after reading those chapters. For me personally, the KTV plot was very unpopular. At other times, this character can be basically regarded as transparent. Even if she and the protagonist have a common cause, her sense of existence can still be said to be pitifully low. Because of her inaction, the comments about the psychological activities of this character always see people posting "👉🤡". A character who works too hard in the early stage and does nothing in the middle period has washed away the initial opinions, but still makes people unable to raise expectations. For this character, I personally think that the best part of the portrayal is actually the part where the protagonist is held in her arms during the night conversation during the school trip. Although Shion is a character who is not candid (in my opinion, it doesn't matter if she is candid or not, it's mainly about inaction) and there are many little fantasies, but the part where she holds the hero in her arms makes people really feel the soft heart of this girl. Yuki Mizuno, the one who makes people's eyes light up after seeing the dull life of the protagonist. As the one who makes a bold confession, although the author has his own arrangements, as a reader, what he hopes more is the catfish effect brought about by the appearance of Blue Plum, breaking the calm and creating a corner. The conflict between sex caused the other two heroines to have subjective behavioral changes. Instead of after the appearance of the green plum from the sky, Ruoye was still handing out good guy cards as usual, and Shion was still drawing. This is not to say that this is not possible, but there is no difference between this and the same. It was so bland that I felt like I was reading a running account. The role of the sister basically serves as a booster, but the plot of the sister is not only sparse, but the interactions are also a bit weird. Basically every interaction involves a "birthday gift". The lack of other interactive content in life makes this somewhat offensive, just like your seventh aunt or eighth aunt, a relative you don't usually see asking you how much salary you will get when you get married, lacking a sense of boundaries. Protagonist The impression given to me is that he is a scumbag, a scumbag who does not take the initiative and refuses to interpret perfectly. You asked me why I didn't say I was irresponsible. It's hard for me to comment on this. My specific feelings about the responsibility of the male protagonist Ruoye are often mentioned in the book🍰, especially when the male protagonist takes the initiative to make cakes with his own hands. This is not bad for Ruoye in the article, but the article constantly mentions that the male protagonist is very perfunctory towards Ruoye. The previous and later content is mixed together and mainly focuses on the female protagonist's feelings. The conclusion is that the male protagonist has put in some effort, but not much. Just like when you make your younger siblings cry but find that giving them a candy will stop them, and then you give them a candy every time something happens, except when you make the cake by yourself, the other times the description really makes the male protagonist very casual. For Shiyin, it's basically a pure abduction. The male protagonist usually doesn't have in-depth interactions, but jumps out to abduct someone at a critical moment. He looks like the kind of Neptune who is afraid that the licking dog will change his mind and run away, so he quickly comes out to stabilize the situation. There should be a lot of content about the common cause that could be described to deepen the interaction, but there are very few that I can actually see. The few that I can remember are only accounted for by the changes in the environment and the characters who don't appear often. In addition, coupled with the stereotypes caused by Shion's long-term inaction, it is difficult for me to imagine what to do to improve the score. Yuki, a childhood sweetheart➕taking initiative➕successful career and sharing the same direction➕paying attention to the feelings of the male protagonist in the interaction, is considered very attractive to most people. After bravely expressing her feelings, she still bravely pursues her goals even though she is rejected. Although the male protagonist clearly refused, it is undeniable that the male protagonist still enjoys the ambiguity, and the ambiguity written by the author gives me a personal feeling that it is stuck in the middle. This problem mainly lies in the male protagonist. He is afraid of being too close but enjoys the ambiguity. This state makes many interactions awkward at the beginning. I can't go any deeper. What others see is pulling. To sum up what I see here is probably to apply Tang Niu's inequality (just because I reject your application for love does not mean that I won't have a little ambiguity with you). Because of the male protagonist's attitude, those intimate interactions are like playing with each other, and the people watching are really annoyed. Finally, after speculating on stocks, I think if there is a single female protagonist, Ruoye is basically a sure winner. Ruoye's advantage is that she is extremely involved in the daily life of the male protagonist, and the resulting interactions are countless. The only disadvantage is that she is not emotionally candid enough. Shiyin's advantages are that she has a career in common with the male protagonist, and she has a hidden identity relative to her on the Internet (but this is basically not realized except for the change of perception during the first meeting). Her disadvantages are also obvious. She is extremely dishonest in almost any situation. There is almost nothing praiseworthy in her behavior (it gives the impression that "Shiyin is painting"), and her identity as the eldest lady is not well utilized. Yuki's advantage is that she is relatively close in terms of identity and has the advantage of being the first to attack boldly. The disadvantage is that she basically has no disadvantages except for the male protagonist's partial rejection. However, as the female protagonist, she appears too rarely and her role is not deep enough. She is like a relative who comes to visit you during the holidays and then leaves.

It's nice to watch, but there are too many foreshadowings in the current development. I want to know whether they will explode one by one, or all at once? I don't like people who pretend to be confused while pretending to understand. If there are only one or two hundred jokes about hiding one's identity, it would be meaningless. I hope to see the scene where they recognize each other as soon as possible.

You can't say it's not good, you can only say it's rubbish and avoid lightning.

It's hard to say what the follow-up is. It depends on personal preference. It's not the grass jelly, it's the good grass, because the follow-up is a bit weak. Personally speaking, it's still the grass jelly.

I almost gave up on it in the first three chapters, but then it got better again. I just hope it's not the kind of story where you have an ambiguous relationship with a group of people and choose one in the end.

Although it ended hastily in the later stage, I can accept it as Wakaba.

The author's writing is super nice, recommended by Wall Crack

After watching it for a while, it's very distinctive and has the potential to become a fire.

It's okay, a classic Nikkei, I can read it, the writing is okay