A Study on the Theory of Poetic Sound in the Ming Dynasty

About This Novel

The theoretical study of poetic sound is an important dimension in the interpretation of Chinese poetics. It is a microscopic, deep and precise study. It is closely related to the evolution and development of the joy and separation of traditional Chinese poetry. The sound of poetry is the sound of poetry, mainly rhythm. It is mainly formed at six levels: rhyme, rhythm, calligraphy, syntax, composition, and style, and is mainly presented as natural sounds and man-made sounds. The theory of poetic sound in the Ming Dynasty was rich. The Ming Dynasty connected poetics with philosophy, aesthetics, etc., And discussed it from several aspects such as the relationship between sound and breath, the relationship between sound and meaning, the relationship between sound and emotion, and the relationship between sound and shape. The theory of poetic sound in the Ming Dynasty not only tended to return to traditional poetics, but also further developed to the highest realm of poetics - Shen Yun. In short, the theory of poetic sound in the Ming Dynasty and the corresponding practice of poetry creation are quite distinctive and valuable. The author first carefully examines the prosperity of poetic voice in the Ming Dynasty and its reasons from a diachronic perspective, then extracts some main propositions from the scattered and complicated poetic materials of the Ming Dynasty to explore the general appearance of the poetic voice theory in the Ming Dynasty in a case-by-case manner, and finally discusses the main issues concerned by the poetic voice theory in the Ming Dynasty and its poetic achievements.

You Might Also Like

Reborn Female General

Qianshan Tea Guest

1.3M9.6