Comparative Literature Iconology Research Practice: Country, Place and Animation

Comparative Literature Iconology Research Practice: Country, Place and Animation

by Xue Yunan Gao Chen Lang Yanli

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About This Novel

This book uses the theory of comparative literature to explore the image of China in American literature, the image of Sichuan history written by missionary Tao Ranshi, and the variation of the image of world literature in Japanese animation. The shaping of the image of China in American literature, using Pearl Buck, the Three Ss (Edgar Snow, Agnes Smedley, Anna Louise Strong), Herbert O. Yeardley and others as research objects, analyzes the completely different image of China written by American writers living in China during the same period (1927-1945): the friendly attitude of Tian The image of Garden China, the image of red China with a fanatical attitude, and the image of the "other" China with a "hateful" attitude; Tao Ranshi's historical image of Sichuan began in the Wei and Jin Dynasties and ended in the early Sui Dynasty, with a span of time and space; the variation of Japanese animation to the image of world literature is a creative variation, and its motivation is the composite effect of various elements of Japanese culture and contemporary society.

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