My Life Swapping Game

The author writes too hastily, in every aspect, and touches on many places in one stroke. The essence of writing this book is to drag out the four female characters one by one, and write about the beauty of the female characters (including the four worlds in which the female characters live). Among the four worlds, only the world of the female sword fairy is advancing step by step (whenever the heart beats - preparing to enter the mortal world), and the other three worlds are written casually. It would be better to just write about the world of the female sword immortal. The male protagonist and the female sword immortal exchange bodies. The male protagonist slowly explores the world of the female sword immortal. He explores that world with the immortal's true body and the earth's mortal soul, and slowly changes the female sword immortal who does not eat the fireworks of the world (is not interested in anything in the world). There are also a lot of branch lines. Writing (the various commissions of those in the mirror) is not as good as the current four worlds, but most of what I have written so far is just the interaction with the heroine. It was okay at the beginning, but after reading dozens of chapters, the novelty was gone, and the main lines of each world were not pushed, so it felt very empty. I read it but there is no content.

The fairy part is a bit too difficult

I feel that everything is pretty good, but I feel that the author can write more details, such as the sense of contrast. When Annie and the fairy come to the real society, the sense of contrast can be written more. I love reading it. Of course, I would like to make a small suggestion.

After reading it, I will give a brief evaluation. First of all, the setting of this book is good, very novel, and has the potential to become a masterpiece. But maybe it's because of the newbie, the author's writing skills can't be well controlled, and maybe because of the low subscriptions, finishing the 600,000 words hastily is a huge failure. I think that no matter how many subscriptions there are, telling the story completely is the attitude that a creative should have, and the subsequent response should be good. At least it will be completed completely, and I will make a full subscription. Let's talk about the content. Among the four world lines, the magical world and Anne are definitely the most successful. The idea of ​​traveling to the magical world to engage in industrial revolution is right, but it basically ends right after it started, which is boring. The other three female protagonists lack personality. When they arrive in the real world, they are too superficial and have no distinctive personal imprint. It is difficult for people to remember them. In this regard, I think it would be good to have a book where the saint and the main character are intertwined with reality and immortality. The saint is confused when she first travels to reality, and then she is hungry and has no money to grab food while escaping from the police. Because even if the immortal cultivator has the body of an ordinary person, his eyesight and skills are still there, he can pretend to be realistic, which makes it feel very real. And the most important thing is that I think the most exciting thing about interpenetration is the changes and impact that different world views and insights have on the other person's world. Rather than saying that your identity is immediately exposed as soon as you travel to the past, as if you want the whole world to know, it directly limits the upper limit of the work. And love is also a mess. I think an author is right when he says that true love should occur when both parties experience and solve something together, rather than simply looking at each other's bodies and inexplicably appearing through the bond of mutual penetration. Later, in order to end it hastily, it ended with having sex with a bunch of heroines without even the process of falling in love, which directly lowered the grade of this book. To be honest, if you really don't know how to open up the situation in cultivating immortals and future technology, I suggest that you can directly use the abilities of other worlds to complement each other, instead of lowering the force of one world and writing it by hand. Moreover, I think the pattern is too small to just travel through people. You can also travel into animals such as cats and dogs to show extraordinary wisdom, which is also the essence of this inter-travel story. Nowadays, this kind of subject matter is becoming less and less common. It's hard to find one, but the ending is hasty and boring.

I'm not used to writing book reviews, but looking at the book review section, there are only two comments. If I don't write them, what if newbies will be scared away after looking at the book review section? The book is a good book. It is a fantasy harem novel in the light novel genre. The male protagonist has a sunny boy personality. Compared with the murderers, gangsters, losers, and profiteers in other novels, it is really a breath of fresh air. The four-line parallel writing method tests the author's writing skills too much, and readers who cannot accept certain elements are likely to have objections. However, judging from the new books of the same type that I occasionally see that follow suit, there are still many people who like it. For someone like me who reads all types of books, all four worlds will feel fresh. The Magical World is my favorite at the moment, and the last book I also liked the Magical World the most. I was attracted by the same author's books twice in a row without looking at the author's name. It's really fate. In addition, I have some small suggestions. The urban world and the magical world are both good. As for the fairy world, the author puts too much emphasis on the fairy's state of mind. The state of mind cannot be expressed by the narration over and over again. It must be reflected in the story. Maybe the fairy can teach Lu Xing how to paint, play the piano, eat flowers, drink morning dew, pick wildflowers for clothes, and brew moonflower wine. Like Guanyin cutting bamboo and weaving fish baskets, letting Lu Xing accompany you to do some ritualistic things can not only increase interaction, but also make the image of the deity more three-dimensional. Speaking of interactions, there are even fewer interactions with classmate Xiao Jiang in the future world, and they are not as good as the robot classmate Wang Bagua. The smashing of mobile phones and looking at the ant nest at the beginning are quite good, but not at the end. I have read few novels about the future worldview, and I wonder if other book lovers have any ideas about falling in love with robots. I actually think that Xiao Jiang is quite suitable for an interactive plot on a university campus. He attends classes as the protagonist, shows off his temperament as a top student, and creates some troubles along the way. However, the protagonist doesn't go back to school very much now, so this plot should be gone. I don't know why the author didn't develop it in this direction. Except for Annie's friendship with a female classmate, the other three did not develop campus interactive plots. Is it because they were cut off for fear of affecting the rhythm?