Emptiness and Rewriting

About This Novel

This article discusses some contemporary novelists of the Sirius Poetry Society, such as Chen Ruixian, Ju Fan, Song Ziheng, Wen Xiangying, Xiao Hei, Hong Quan, Zhang Ruixing, etc., As well as late comers such as He Shufang, focusing on the differences between their earlier and later writings. Some stopped writing, while some continued the existing modern path and explored more deeply; some "transformed to reality" and had already abandoned their early experiments; some became more mature, and some became duller. After decades of life, these authors can still let the modern clock face continue, even if the literary trend has been updated several times. From these different cases, this article attempts to revise Wen Renping's theory of modernism and consider some basic questions about Malaysian Chinese modernist novels: What kind of projection does the continuous modern time have on the novel itself? Does the paradox of time enter literature itself? What are the manifestations of departures and "latecomers"?

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