
I Am a Celestial Master at Full Level, You Want Me to Join the Rules and Ghost Story?
About This Novel
A weird game has arrived, and one person from each country is randomly sent into the game. Zhang Yangqing, who had been practicing in Longhu Mountain for two years, inexplicably entered the strange world of rules and strange stories. In a late-night wax museum, you play a security guard. [Rule 1: The wax museum closes at twelve o'clock on time, and no one is allowed to enter or exit, regardless of any requests inside or outside the door. [Rule 2: You are the only one in the wax museum. If someone calls you, please ignore it and stay away as soon as possible. [Rule 3: Inspect the wax museum every two hours, and do not look directly into the eyes of a wax statue when you pass it. [Rule 4: The wax figure will not move. If you find that the position of the wax figure does not match the photo, please return to the security room immediately. ... After listening to the rules, Zhang Yangqing looked at the strange person trembling under the thunder in his palm, and fell into deep thought...
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Official(391)Scraped 3d ago
A large number of junk online articles have emerged after the epidemic. Usually the title is the opening plot. The setting is extremely outrageous and completely violates cognitive logic. All the supporting characters are mentally ill, and the protagonist is even more important. In this article, first of all, why did we lose nine games in a row? Other countries have only lost four or five times, but we have lost nine in a row. It's really disgusting to forcefully suppress the protagonist in order to highlight how awesome the protagonist is. Secondly, what is the role of the state? They have lost more or less in a row, byd has not taken any measures, tmd normally as soon as this happens, the militia training, education and restructuring will be carried out immediately. Also, look at the protagonist Goldfinger, whose comprehension level is at full level. What does this mean? It turns out that he has extraordinary power. After all, the protagonist has the comprehension to practice quickly, not something made out of nothing. So, after the previous failures and the strange stories became reality, will anyone deal with it? Looking at the description in Chapter 1, there is no such thing. Even if there is no one other than the protagonist who is awesome enough to fight the monsters, then I would like to ask, what has the protagonist been doing after the monsters have appeared in the past few times? Byd, when Guaitan enters reality, you don't kill him, you enter the game to take action. At this point, the protagonist completely collapses.
Suggestion: The big problem has no main line now, the author! Almost 2 million words
It's almost 2 million words. I like the subject matter, the protagonist is smart, and the supporting characters aren't stupid. These are my favorite points, but! There is no main line! This is a big problem. The main line is a "hook" that can firmly hook the reader to the whole book and keep them enthusiastic until the end. Now this book is like some unit drama animations (such as Conan). Each copy (rule ghost story) is a unit, and each of them is an independent existence rather than a whole. This leads to the fact that the book has no big hook (main line) and only small hooks (one ghost story after another). Although there are many small hooks, their appeal is very limited, and there is no lasting appeal. For example, if a hook (Ghost Story) attracts some readers, then these readers will follow the ghost story until the end, but what happens after it ends? Before opening the next dungeon of Ghost Story, readers will enter a window period, which is the sage mode. In fact, they are not very enthusiastic about chasing the next dungeon of Ghost Story, because the model of unit drama is doomed to have a finale for each unit. How can they still be enthusiastic about the subsequent plots after the finale? This is a very fatal problem, because readers have low enthusiasm for continuing to follow the drama, and they may continue to follow the drama for a week, a month, or half a year for longer and longer until they forget the book. And there are some hooks (copies of ghost stories) that readers will skip directly if they are not interested. Because it is a unit drama, these copies are not linked to the main plot, so they can be skipped at will. This is undoubtedly a big waste of the author's efforts, but this is the result of not being linked to the main plot, and there is no way around it. In fact, the author can refer to Conan. Conan is a chestnut that has both unit dramas and main plots. However, Conan is too slow to promote the main plot. He has not pushed many main plots in more than 20 years. Most of the time he has spent studying unit dramas in Ke. I don't mind the author's study. After all, Conan has a childhood buff bonus and the bonus is very large. Otherwise, it would be too early to play like this. Moreover, Conan's market is actually the primary school student market. We adults basically don't watch those unit dramas. If you follow Conan when Conan is most popular, you will know that it is when he promotes the "main line". You can imagine the importance of the main line. The main line is the biggest "hook" from the beginning to the finale. Without it, it is difficult for readers to have continuous motivation to follow the work. Next door (the reincarnation person has just retired) I personally feel that the design and writing in many places are not as good as this book, but I can't help but they do have a main line... And they are really pushing the main line... (Actually, I think the interval between opening new dungeons is a bit too short. The once-a-week setting next door is good, and if there is a main line, there can be content to write at this time. Even if there is not, just skip this time like next door)
This type of novel has a common problem: the protagonist has few roles, and the audience, professors, and commentators talk a lot, leaving people speechless~
From the first chapter to the fifth chapter, I can't stand it anymore. If you're pretending, you have to show some strength.
This book is a waste country novel. Yes, you read it right. It is not a waste material counterattack flow, nor is it a waste country counterattack flow. It is simply that the waste country has no counterattack. The counterattack of the waste country requires the country to develop step by step and surpass it step by step. The entire country in this book is saved by the protagonist. The setting fails once, and strange things randomly come to a city ten times. As for the strange arrival of the country, the country failed 9 times at the beginning of this book. If the protagonist hadn't entered, the strange arrival of the country would have begun. What followed was the performance of the protagonist alone and the time of players from other countries, while the people of the country could only enjoy themselves in the live broadcast room. The so-called official and national think tanks were of no use, and might even be arranged to hinder them.
That's it? Life is so tiring, kill it now!
No need to work or live? If you are worried and scared every day, you might one day get yourself killed because of someone else's mistakes! And the whole world... No one can have an easy time md, just let the mushroom bomb go away. Make it like a competitive game
I'm really speechless. Why don't you write a good plot? Why do you all like to do live broadcasts? Can the comments in the live broadcast room be watered down?
Look at the Celestial Masters written by others. How can you be controlled by others? As a Celestial Master, it doesn't matter if you are controlled by others. You still need to listen to others to work, and you have to be absent from work. Where is the dignity of the Celestial Master?
Alas, it's not enough. I wish I could be more diligent.
Looks good, please update more. . . Two updates a day is not enough
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Community(0)
Official(391)Scraped 3d ago
A large number of junk online articles have emerged after the epidemic. Usually the title is the opening plot. The setting is extremely outrageous and completely violates cognitive logic. All the supporting characters are mentally ill, and the protagonist is even more important. In this article, first of all, why did we lose nine games in a row? Other countries have only lost four or five times, but we have lost nine in a row. It's really disgusting to forcefully suppress the protagonist in order to highlight how awesome the protagonist is. Secondly, what is the role of the state? They have lost more or less in a row, byd has not taken any measures, tmd normally as soon as this happens, the militia training, education and restructuring will be carried out immediately. Also, look at the protagonist Goldfinger, whose comprehension level is at full level. What does this mean? It turns out that he has extraordinary power. After all, the protagonist has the comprehension to practice quickly, not something made out of nothing. So, after the previous failures and the strange stories became reality, will anyone deal with it? Looking at the description in Chapter 1, there is no such thing. Even if there is no one other than the protagonist who is awesome enough to fight the monsters, then I would like to ask, what has the protagonist been doing after the monsters have appeared in the past few times? Byd, when Guaitan enters reality, you don't kill him, you enter the game to take action. At this point, the protagonist completely collapses.
Suggestion: The big problem has no main line now, the author! Almost 2 million words
It's almost 2 million words. I like the subject matter, the protagonist is smart, and the supporting characters aren't stupid. These are my favorite points, but! There is no main line! This is a big problem. The main line is a "hook" that can firmly hook the reader to the whole book and keep them enthusiastic until the end. Now this book is like some unit drama animations (such as Conan). Each copy (rule ghost story) is a unit, and each of them is an independent existence rather than a whole. This leads to the fact that the book has no big hook (main line) and only small hooks (one ghost story after another). Although there are many small hooks, their appeal is very limited, and there is no lasting appeal. For example, if a hook (Ghost Story) attracts some readers, then these readers will follow the ghost story until the end, but what happens after it ends? Before opening the next dungeon of Ghost Story, readers will enter a window period, which is the sage mode. In fact, they are not very enthusiastic about chasing the next dungeon of Ghost Story, because the model of unit drama is doomed to have a finale for each unit. How can they still be enthusiastic about the subsequent plots after the finale? This is a very fatal problem, because readers have low enthusiasm for continuing to follow the drama, and they may continue to follow the drama for a week, a month, or half a year for longer and longer until they forget the book. And there are some hooks (copies of ghost stories) that readers will skip directly if they are not interested. Because it is a unit drama, these copies are not linked to the main plot, so they can be skipped at will. This is undoubtedly a big waste of the author's efforts, but this is the result of not being linked to the main plot, and there is no way around it. In fact, the author can refer to Conan. Conan is a chestnut that has both unit dramas and main plots. However, Conan is too slow to promote the main plot. He has not pushed many main plots in more than 20 years. Most of the time he has spent studying unit dramas in Ke. I don't mind the author's study. After all, Conan has a childhood buff bonus and the bonus is very large. Otherwise, it would be too early to play like this. Moreover, Conan's market is actually the primary school student market. We adults basically don't watch those unit dramas. If you follow Conan when Conan is most popular, you will know that it is when he promotes the "main line". You can imagine the importance of the main line. The main line is the biggest "hook" from the beginning to the finale. Without it, it is difficult for readers to have continuous motivation to follow the work. Next door (the reincarnation person has just retired) I personally feel that the design and writing in many places are not as good as this book, but I can't help but they do have a main line... And they are really pushing the main line... (Actually, I think the interval between opening new dungeons is a bit too short. The once-a-week setting next door is good, and if there is a main line, there can be content to write at this time. Even if there is not, just skip this time like next door)
This type of novel has a common problem: the protagonist has few roles, and the audience, professors, and commentators talk a lot, leaving people speechless~
From the first chapter to the fifth chapter, I can't stand it anymore. If you're pretending, you have to show some strength.
This book is a waste country novel. Yes, you read it right. It is not a waste material counterattack flow, nor is it a waste country counterattack flow. It is simply that the waste country has no counterattack. The counterattack of the waste country requires the country to develop step by step and surpass it step by step. The entire country in this book is saved by the protagonist. The setting fails once, and strange things randomly come to a city ten times. As for the strange arrival of the country, the country failed 9 times at the beginning of this book. If the protagonist hadn't entered, the strange arrival of the country would have begun. What followed was the performance of the protagonist alone and the time of players from other countries, while the people of the country could only enjoy themselves in the live broadcast room. The so-called official and national think tanks were of no use, and might even be arranged to hinder them.
That's it? Life is so tiring, kill it now!
No need to work or live? If you are worried and scared every day, you might one day get yourself killed because of someone else's mistakes! And the whole world... No one can have an easy time md, just let the mushroom bomb go away. Make it like a competitive game
I'm really speechless. Why don't you write a good plot? Why do you all like to do live broadcasts? Can the comments in the live broadcast room be watered down?
Look at the Celestial Masters written by others. How can you be controlled by others? As a Celestial Master, it doesn't matter if you are controlled by others. You still need to listen to others to work, and you have to be absent from work. Where is the dignity of the Celestial Master?
Alas, it's not enough. I wish I could be more diligent.
Looks good, please update more. . . Two updates a day is not enough
Featured in 3 Booklists
Official(3)
Invincible flow 7 points Xiaobai Shuang's novel, the protagonist is the Heavenly Master, the strongest, crushing ghosts




Weird stories come to the world, calling on the chosen ones from all over the world to enter the world of Kuaitan and fight for their country. The chosen ones from all over the world enter the world of ghost stories and use various methods. Zhang Yangqing, the new Celestial Master of Longhu Mountain, randomly entered the strange story, and the way of clearing the level began to change. The world of Kaitan is like a very vivid workplace, the author has strong layout skills and is full of details! Recommendation index four and a half stars!




The writing is clear and thoughtful, and the weird writing is refreshing and interesting. There are live broadcasts that are deeply related to the interests of the audience, as well as the setting of a race between countries.













