Master Craftsman of the Elf World

"When you update the first update, minor flaws will be magnified, and the immaturity of the writing will be criticized. When you update the second update, a little patience is born, and the progress of the plot is more focused. When you update the third update, the meager praise begins to sound, and the number of negative comments begins to decrease. When you update the fifth update, readers' defense spontaneously forms, and the voice of praise becomes louder and louder. Bright. When you are ten years old, the scholar's debate is deafening, and your tolerant attitude is carried out inside and outside. When you are twenty years old, your name will have a dazzling trace in your long life. Updates may not solve all difficulties, but more than 90% of the problems come from insufficient updates."

The limitation of 4 skills in regular competitions is simply a poisonous point. The sales price is too low and the character dialogue is as rigid as a game. It can be interpreted as opening up the market and the characteristics of this book, but the limitation of skills cannot be tolerated.

"If I had known that I would only update these two chapters today, I would not have come. I read these two chapters in vain, and my mind flew away. When I saw the blue button, I felt heavy again. After all, it was my sister who overstepped. If my brother didn't update, my sister would have nothing to say. My brother's stuck article today really hurt my sister's heart. My heart is so cold! It's as cold as ice. It's my sister's unlucky time. I should have been content with updating these two chapters on this day.",

The protagonist's description of the battle is too mechanical. Just fight well and don't insert a lot of explanations in the middle. The current situation is that I don't know whether to watch the battle or the explanation.

From the title and introduction of the book, I feel that the protagonist is like a prop master. Since the author has this kind of imagination, can the protagonist create props from other worlds in the Pokémon world?

What is a fanfic? Isn't it just to express your own ideas through new characters and stories? The main works include animation, games, and comics. Of course, the stories written also have animation style and game style. Just because you are used to writing in realistic and animation styles, you can't suddenly start to belittle the other. The real pleasure is when the various words and sentences in the book can resonate with the same frequency as the radio waves (of course it is not limited to jokes), I think so. Connecting various generations and regions, different people, different Pokémon, and different stories are like different parts of a sculpture. Each has its own highlights, and each has its own shortcomings or regrets. But by combining the world view of Pokémon, using the identity of a guide and bystander to connect the protagonists and supporting characters in each part, as well as various people and Pokémon, a new story emerged. It jumped out of the original sculpture framework, and was another living story. There really was a person. The craftsmen "built" the Pokémon world for us to see. The Pokémon world should be so integrated. Each region does not exist alone. Its history, its changes, its future, and its new vitality in the writings of fan authors, these are what really attract me. The Pokémon world carries so many things such as battles, adventures, growth, failures, etc. It carries and displays so many things that we rarely focus on the world itself.

The identity of God's people is very unique! The development of major events in the Pokémon world is inseparable from the legendary Pokémon. From the origin of Mewtwo to the feud between Carlos and Galar, it is also common for generations to stew in a cauldron in Pokémon novels. But the myths and legends of each region have their own characteristics. How to break away from the conventional "group-destroying machine" narrative - the author set an example: the people who serve Arceus. "It is omnipresent", this poem corresponds to the historical context of the people of Shenhe being dispersed to various parts of the world after losing the light of Arceus. Gathering is like a ball of fire, scattering is like a sky full of stars. As a people who serve God, it is normal to know more about and experience more legendary events. The prophecy of the time-traveling protagonist (Light Moss) before the events between generations, who was born along this line, will not appear abrupt, so that when I kept watching, I would ignore and forget his original time-traveling identity and think that "the people of God are like this, and he should have this kind of character." In terms of the expression of the plot, most of the roles played by Guang Moss are guides. This will not take away the role of the original characters, and the novel can be more flexible in switching perspectives. After all, God's messengers don't have to carry the world on their shoulders, and witnessing the bond between humans and Pokémon doesn't have to be a grand narrative. Everyone has their own place, which is how I read the bond. Going back to the title itself, in fact, the difference between the plot before and after Hezhong is quite obvious, even with the connecting tree and the releasing jade as the transition. The attributes of craftsmen in the early stage are very obvious, making items, acquiring new technologies, improving technical skills... It is similar to fighting monsters and upgrading, with a strong sense of game. The identity as a citizen of the gods is not very prominent, but the original plot is rich, and the three fantasy stages are very good points. I am excited to watch it! In the later period, the attributes of the people of Shenhe are plus strengthened. The Hezhong chapter is what I think is the transformation of Guangmo from the craftsman side to the sage side. Especially starting from the United Chapter, a large number of Pokémon worldviews are integrated into it (specials, theater versions, main works, side works...), And the textual research is breathtaking. However, from here on, the description of the craftsman side gradually becomes less, and it officially transforms into (employee of Arceus, no, crossed out) the great sage who inherits all the knowledge of the people of God. The original plot also becomes less, and the plot is more about the in-depth exploration and extension of the worldview, but it is still very interesting😣. The change in identity inevitably leads to a change in the focus of the plot, as well as a change in perception. Although it feels like the author has worked very hard to slow down this sense of difference as much as possible in the Hezhong chapter, the descriptions of various craftsmen in the early stage were still too strong, which led to the sharp weakening of the craftsman attributes of Guang Moss in the later period... Okay, enough writing. Overall, this is a work that I think is excellent. From the identity of the protagonist to the worldview, the various references have surpassed most similar works (not to praise 😓). In the Lifetime series, compared to the subsequent development of the plot, being able to keep this work from beginning to end is the best victory for us readers and treasurers. Of course, if the plot is better, I will not refuse it. I also want to witness a more glorious future for humans and Pokémon! ! ! (Annoyed, why is this person still eating and taking things?!) --Written on December 20, 2025, by a treasure critic

Generally speaking, it's okay, but the selling price of props is too outrageous. How many hundred yuan can you sell something worth ten million? The second thing is that pig's feet are not as good at using golden fingers as a primitive man.

I hope to wake up and find that I have updated 500,000 words, and then I can read it in one go and review it from the beginning several times.

Isn't that what Pokémon should be like? It has its own myths and legends, people have a deep connection with Pokémon, and everyone becomes mature through the experience. Everyone has different ideas, but doesn't the collision of ideas in the Pokémon world need to be reflected in battles? In battle, you can use words to strengthen your ideas, tell others your ideas, and hear other people's ideas, talk to each other, and understand each other. Isn't reading novels just a fantasy for yourself? Imagine that you live in the Pokémon world, experience the same battles, meet your best friends, and grow up with your Pokémon companions. On the contrary, many elven literature lacks this flavor of fantasy precisely because it is too similar to reality.