Soul-slaying Girl: All the Contracts I Contracted Are Ancient Divine Weapons

You are welcome to point out any deficiencies in this book. I will make adjustments later. Thank you for your support! [Emot=default,58/]

I'm almost being poisoned. The internal struggle is so mindless. The plot setting is very deliberately blunt. The part where the protagonist wins the hearts of the people, to be honest, feels like an anti-Japanese drama. It's all nm and mindless. The masses are all Tang. The protagonist is a primary school student. It can't highlight the character. You just write it honestly. Isn't it good for the protagonist to fight monsters and upgrade? To be honest, if you have time, read more novels written by Mao Ni and then add drama to the protagonist. Otherwise, everyone will really feel like a brain can. I was originally more interested in the subject matter, but this plot setting made me sick.

Well, author, can I make you change your mind now? Hurry up and give me daily update chapter 50. No eating or sleeping. Give me 24h updates

Update faster, faster, I can't get enough, please update more photos from the author

I have read half of it, about 500 chapters, and I can no longer read it. There is a certain gap between it and those very classic online articles (Douluo, Dou Po, Fighting Swordsman, Toka, and Gui She, these are all things I can give full marks to. My own ratings are also relatively strict. I can only get 9 points for books with quality like Alien Beasts and God Slayer). Let's talk about the advantages first. The subject matter of this book is very good, the top ten artifacts. I saw the explanation of the top ten artifacts on Douyin last year, and I found it very interesting and with a Chinese color. Then there are some of the author's ideas, such as one person becoming an army (I have also thought about this myself. As long as I can make such a nano-robot, then give it to him. Programming, he can copy it infinitely, and then combine it into any high-tech product he wants), genetic modification, and the grand and detailed description of the world in the early stage. These advantages are also the main reasons why I became a member. The early writing is indeed good (I can give 8 points for the first 200 chapters separately). Speaking of shortcomings, I feel that the most affecting reading experience is that many places in the later period deviate greatly from the early worldview description (for example, the 12 Saints in the early stage are too weak; and the Dawn Organization, an organization that positioned villains in the early stage, has not yet appeared by Chapter 500; and the Zerg at the beginning can check and balance the five major forces, and now there are more and more ninth-level powerhouses in the five major forces. It feels like any force can now check and balance the Zerg; now the Emperor The strength shown by the country is much stronger than that of Daxia at the beginning). The change in the world view is understandable, because the protagonist is growing faster and faster, and the initial world view is too small for the current protagonist (for this, you can refer to San Shao's "Son of Light". The protagonist grows very fast, but San Shao does not change the world view, but ends soon. This is also the shortest novel of San Shao; or it is the unlimited world view of the novel about cultivating immortals, which will not be abrupt no matter how it is changed in the later stage. Wu, this worldview is a good balance between the excitement brought by the protagonist's rapid growth and the mismatch between the worldview). The second shortcoming is the characterization. The protagonist's characterization feels very unsuccessful (no personality, there are many successful cases, such as Tang San's exquisite egoist, Xiao Yan's passionate youth). Reading your novel gave me the feeling of reading "The First Sequence". The worldview setting and characterization are very similar, but the First Sequence is much better than yours. A little bit better. His world view was very big at the beginning, but he didn't have much power, so the early impression was very good. Later, the world view had the same problem as yours, and Ren Xiaosu's character image had a big problem. He changed from a leader to a person who killed civilians indiscriminately, so I bought a lot of money for the book Elbow, but the reviews were very bad. Overall, this book is worth reading. There is a certain amount of excitement in the early stages, but the plot drags on in the middle, and the excitement decreases. There are many more self-moving plots. I've probably read it up to this point. There are still 500 chapters left, so I won't read it yet. School starts tomorrow. I may read the rest if I have time after the college entrance examination.

The subject matter is good, the outline is good, and the writing is okay, but the character description is too weak, has no characteristics at all, and the characterization is very dull. The content is even more outrageous. The plot is full of loopholes, trying to show that the protagonist is smart, but in the end it only shows that the author's writing is funny. My mother, one second the city lord (Zerg parasite) said he was a rebel, and the crowd said something bad about him. The next second some people said they disagreed, and then the protagonist said some official words, does that represent the people's support? It was written like a fool, and I was so embarrassed that I really wanted to dig out the three bedrooms and one living room.

The so-called cool articles are just a bunch of old-fashioned stories that first suppress and then advance, which are not favored by others. They seem to be unbeatable and then cheat. In adversity, the author suddenly adds a person who has never appeared to solve the problem. A lot of people's sacrifices are written as if to solve the problem, but in fact without the protagonist, it seems like nothing can be done, and then the whole world becomes the enemy of the protagonist. The most outrageous thing is that the villain has the ability to make up his mind and pull it out. The author wants to make it look like the villain has a conspiracy and plan, but in fact it is just a lack of information without foreshadowing.

Brother, please read another chapter, please, I feel so uncomfortable, I feel like there are ants crawling all over my body! Brother, please update another chapter. I kneel down and beg you. Brother, please update another chapter. I will never touch it again. Brother, please add another chapter, I really can't stand it anymore Please update another chapter, brother, please, I really kneel down and beg you. Brother, I really can't stand it anymore. I was wrong, brother. Please add another chapter.

It's difficult, all the plots have no foreshadowing, it's just like the author wants it to come out one after another. The heroine's appearance all comes suddenly without any foreshadowing. The protagonist is highly talented but is reborn like a fool. The protagonist's teacher and various senior brothers are very awesome, but they should be cautious. There are no details, and the part where the grudges and gratification should have been enjoyable ended abruptly. The protagonist was suddenly rescued in the early stage, which brought out the so-called "people's support." [Emot=default,02/]

I feel that there should be a lot of SSS-level talents, otherwise it would be too easy to die and there would be no protection at all. Don't say that protection will interfere with the protagonist's growth. It's better to protect him secretly and not come out to save him if he is about to die. If you say that the high-level people are on the front line and have no spare power to protect the protagonist, then it is better to let the protagonist go to the front line and form a team to fight on his own. Growing up is worse than having no one to protect him and being killed halfway. There are also people in the front who are greedy for loot. I don't know what other reason they have to go out and work like this. The protagonist is fighting desperately in front, but the people behind are greedy for the protagonist's loot, and even want to get the protagonist to the lower city. What's the point of fighting desperately like this? I am fighting in the front, and you stab me in the back. You only protect me when I have a problem. You can't protect yourself, and you still have to protect others?