China Entertainment Started from Childhood Sweethearts

I wrote a long review of a thousand words, and I guess you won't listen to it, so I deleted it all. Just leave one sentence, don't use the harem method to write a single heroine article, the grades will teach you how to write the article.

Take it and tell me, hahahahahahahahahahaha

First it was Yang Mi, and then it was Liu Shishi. If you want more female protagonists, just say so. It's so disgusting that I can't read anymore.

Is the first one a bit too abstract? Are you serious? Let's take a look first.

When Chinese literary films were frequently winning awards in the three major European countries, it was precisely when the Chinese film market was in its lowest decline. As a result, you completely understand the opposite. It is because commercial films have no box office that Chinese directors only liked to make literary films before the 10s, and only the copyrights of award-winning works could be sold at high prices. When the Chinese film market picked up after the 10s, the appeal of the three major European films became less and less. As for PR, that's Oscar rule. Instead, the three European juries like to go against the program. The more popular your film is, the less I will give you the award. Before the 10s, the Chinese film market was so big and there was not much box office at all. As a result, you are making commercial films at this time. After the 10s, the domestic attention of the three major European companies became less and less, so you went to make literary films instead? Isn't this baffling? We should take advantage of the time when the three major European films are still high to make literary and artistic films to win awards and improve their quality. When the film market develops, we can gradually transition to making commercial films. They also say that they will wait for the Chinese film market to rise before competing for awards. This is a joke again. The three major European films are the exclusive territory of literary and artistic films. According to what you said, North America was the world's largest box office at that time. Didn't the three major European awards favor Hollywood movies? On the contrary, Hollywood and the three major European companies at that time had never dealt with them, and no one could tolerate them. The Big Three in Europe think that Hollywood is a group of upstarts who only care about money and don't care about film art. Hollywood thinks that the Big Three in Europe are a group of poor people who talk about film art all day long. It is precisely because in recent years that Venice has begun to woo Hollywood and Cannes has become more and more commercialized that the three major European awards have become more and more watery and less valuable. This is not the case. When the awards are strong and the box office is strong but there is no market, you make commercial films. When the awards are strong and the box office is low and the box office is popular, you make literary films. What do you think? I can't understand these Huayu articles more and more now. These authors seem to have no understanding of the development of the Chinese film market. When the three major European films were highly valuable, they did not make literary and artistic films to win awards to establish their status. Instead, they made large-scale commercial films in China. With such a small market, they worked hard for a long time and earned a pitiful box office share, which was not as much as selling copyrights for awards.

There are too many poisonous points. In the beginning, both his parents died and he was murdered many times by his relatives. However, he did not dare to go out to seek help, and instead ran to live under the shelter of others. What's even more poisonous is that I started writing songs about love-related themes when I was eleven or twelve years old. It's really greasy...

The single heroine Liu Qi has been cheated and gone.

It all starts with idiots, Holy Mother, Holy Mother

The male protagonist is really ambiguous and has no sense of boundaries when he sees a woman in the central air conditioner. The plot of the single female protagonist Liu Qingmei is actually written according to the harem routine. Moreover, the female protagonists who have an affair with the male protagonist are the heroine's sworn enemies. Not to mention suppressing it, at least the single female protagonist must be protected and doted on. Turns out he is a scumbag with a central air conditioner.

Ride on the Back of the Silver Dragon was released in 2003. You are not good at writing novels with details. There is basically no foreshadowing, almost no emotion, and the only thing left is Shang and Liu Yifei having an affair. The first 200 chapters look fresh, but if the freshness is gone, the chapters in the following years will basically be useless.