Honghuang: Kill My Human Race? Then Kill the Demon and Abolish the Saint!

If Pangu hadn't thought that the creatures bred by the body of the demon god of creation were useful, Nuwa would have died long ago in the ferocious beast period. The remnants of chaos, except for the human race, the lich and the ambitious Styx, they are all moths. Pangu Yuanshen: Sanqing, Pangu Essence and Blood: Twelve Ancestral Witches , Pangu (the human race is the grandson of Pangu's founder) dirty blood: Styx, Pangu's left eye: Emperor Jun Taiyi, Pangu's right eye: Chang Xixihe, blood brothers of Hongyun, Sanqing witch clan, Hongyun blood brothers of Pangu's pool of blood, Styx, Sun and Taiyin, four adopted brothers of Pangu. Captain of the Security Brigade for Descendants of Tiandao Pangu, Life Manager for Descendants of Humanity Pangu, and Minister of Logistics Department for Descendants of Authentic Pangu. Does it make sense? The myth will be discussed later. To be precise in the prehistoric novels, the 12 ancestral witches are the elders of the human race. Pangu created the world and was originally the evolved human race. In the end, it became far-reaching and the transformation was incomplete. All I saw was Nuwa's hand. He was a candidate for humanity. He was abducted by Heaven. He was just a subordinate. He was incomparable to other emperors. In mythology, Nuwa and the Human Emperor were equals.

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This book is really funny. I feel like a child who wants milk, and she is also a child who curses. Why is Nuwa watching with cold eyes? Does she have to rely on her merits to become a saint? In the world of mythology, Nuwa became a god by virtue of her merits. You might be fooled by the novel.

If you slander other saints, there may be a lot of people watching, but if you slander Nuwa, probably a large number of them will just leave after seeing it.

It made me laugh, I know, it was not Pangu who opened the sky back then, but the author!

It's so sweet, I feel like the protagonist is like a clown, he keeps saying ✓

Updated. Good luck to the author.

To the novelist who "consumes readers" I really admire you for being able to turn "creation" into "disappearance", and still feel confident when turning readers' expectations into disappointment. Opening your novel is like breaking into a room full of clutter - the plot line is twisted like a ball of unraveled yarn, and the foreshadowing buried in the front has no explanation until the end. It is euphemistically called "blank space", but in fact it is illogical and perfunctory; the character collapses faster than the weather changes in the seasons. The gentle and reserved protagonist in the first few chapters suddenly becomes violent and paranoid just to promote the bloody plot, without even a reasonable psychological change, as if the character is just a puppet in your hands. You are particularly good at "water-filled writing". A scene that can be described clearly in three sentences must be described in 500 words with irrelevant descriptions of the environment. From the clouds floating outside the window to the grass on the roadside to the threads on the protagonist's clothes, the whole article is filled with nonsense to make up for the word count. Readers who want to find the main plot have to feel like they are in porridge. After finally looking forward to the key plot, you suddenly insert irrelevant memories, either the supporting character's trivial memories from eight hundred years ago, or the protagonist's unnecessary heartbreak, which breaks the tension into pieces. When the reader comes back to his senses, he has already forgotten what he saw before. What makes you even more helpless is your "routine dependence". The villain is always a bad guy with no other purpose than to cause destruction; the protagonist always has a "golden finger" to protect you. When encountering a problem that cannot be solved, he will either suddenly ask a noble person to help, or unlock a skill that is not foreshadowed and has no weight of growth at all. Readers want to find some resonance in the story, but they only see a bunch of cliche jokes without any fresh sincerity. The most irritating thing is your attitude towards readers' feedback. When someone points out loopholes in the plot, you say, "If you don't understand, you didn't read it carefully." When someone offers character suggestions, you say, "I write what I want to express." You regard your laziness as "persistence in yourself" and the readers' tolerance as "natural." It seems that readers are "interfering" in your creation by spending time reading the article and making comments, but they forget that without the support of readers, no matter how "self" the text is, it is just waste paper that no one cares about. In fact, it's not that you're incapable of writing well, you're just too lazy to polish it-too lazy to sort out the logic, too lazy to create three-dimensional characters, and too lazy to figure out how to make the story powerful. You regard novels as a tool for rapid monetization, but you forget the awe that creation should have. After all, no matter how enthusiastic the readers are, they cannot withstand your perfunctory consumption over and over again. When one day no one stops for your words, maybe you will understand: real creation is never done by fooling around. Do you need me to further adjust the relevance of this content to address certain specific issues in your novel, such as plot logic and character creation? This will more accurately express the attitude you want to convey. --AI I never leave my family. It's not convenient. I'll use AI to express it.

You actually wrote about beating Nuwa? Beating parents when they were born? ? ? ?

Reading the introduction, it gave me the feeling that it is often said online that if you can't give your children a prosperous life, then don't have children.