The Seventy Years of the Book: Where I Raise the Villains

I don't really like the heroine, she's a bit too kind (Mother?). She wants to save anyone she sees suffering. When someone brings a knife to steal her things, she still wants to save their whole family. Although that person has a reason, there is no reason for anyone who commits a crime. I killed him because of what he had done to me or someone important to me. This was also justified, so there was no need to be sentenced? If that person was trying to save his grandfather or save people, then I killed him because he stopped me from saving people. Then there was nothing wrong with me killing him. I had a reason for killing people, and my reason was still to save people! If he didn't cause any substantial harm to the heroine, then the attempted rape and attempted murder should be forgiven. Anyway, I didn't really succeed. Forget it if you don't arrest people, you still have to give people dozens of kilograms of rice, which was very high quality for people at that time. You have to hire people as your little brothers to help you sell things in the space. The quality of the goods is so good that there are too many varieties. After you take them, do you want to take them away or do you want to keep them here? Taking away five people, at that time, they were asking for letters of introduction and so on. How to do this without having to trouble the male protagonist? What is your relationship with them? You have helped him, and he has helped you. Why do you always bother others? If you stay locally, how do you transport the things you resell? Does your factory only have one customer here, or does it take three to five days to transport a car of meat? You gave them something, where did they hide it? What to do if you are discovered? Now, that old man from the antique street, are you going to "scream when you see injustice on the road" again? Then if you bring people over to collect antiques for you, then it's still the same problem as above. If you can't hide antiques, wouldn't that make people die faster? Will he still provide education for his grandson in the future? Speaking of rice, I have to complain about the price of rice. Nowadays, rice with a per capita income of 3,000 to 5,000 yuan sells for 2 or 3 yuan per catty. At that time, the per capita income in the county was 20 or 30 yuan, and rice sold for more than 1 yuan or 2 yuan, which was not enough for people to live. If there is a family of five, two people have jobs, and the average salary is 30 yuan per person. One person has 30 kilograms of coarse and fine grains a month, plus some other bills, five people, and two elderly people. A middle-aged couple with one child (which is considered a small amount), sixty kilograms of food a month for sixty yuan. In other words, if they don't get sick in a month, don't buy other oil, salt, sauce, vinegar and tea, don't eat meat, and don't save money, they only have about a hundred kilograms of food a month. At that time, because there was nothing else to eat, they ate more than they do now. Can such a family of five survive? First of all, I want to say something here. I am not saying that I am against the kindness of the heroine, but I think there should be a certain degree of kindness. This is just the first time she comes out, and she may have to take seven people back. Then, will she have to take some people back every time she goes out? He had already adopted a child in the village, as well as her unrelated brother, and now he had to adopt seven more children. How could he raise them? Where does food come from? Before she crossed over, this person was just a daughter who was tortured by her stepmother at home and disliked by her father. Why did there suddenly be so much food? Won't anyone be suspicious? Also, not just this book, I don't understand some of the practices in many books of this type. For example, if the heroine wanted to slowly torture the scumbag men and women who hurt the heroine deeply in her previous life, couldn't she break up with them first or something? Why do you still have to maintain the relationship hypocritically, saying that you want them to feel betrayed/cheated by your best friend (or others)? Since they can hurt you and plot against you, do you think they can still regard you as the best person? Since sooner or later they won't be able to taste that, why can't they cut off the relationship earlier? Just like in this book, the heroine was hurt by the reborn female counterpart before and after she traveled through time. When faced with a crisis, she was not expected to save people, but they pushed you out to save your life. You also asked the hero to find jobs for people just to send them away. Is this sick? If someone stabs you to death, you still have to find a reason for him to hide it from everyone. Isn't it stupid? For another example, in fact, I can accept the heroine telling the hero that she has space. After all, she is the person she wants to spend her whole life with. But I don't understand if I tell other family members or friends, just like if I have space, I will tell the whole world. Not only should the male protagonist be better, but also all the family and friends around him should be like saints who have no desires or desires. I won't covet whatever treasure you have. That is, as soon as the heroine says it, the reaction is just tell me, don't tell others, otherwise what will happen. The heroine agrees and then tells another family member in the next necessary situation and then repeats the above conversation. This is like telling the secret to the whole world. Not only will others not do anything to you, but everyone will help you hide it and protect you. Then, if the space can be inhabited, you need to bring your family, friends, etc., As well as those younger brothers who have encountered rough roads or have been rejected. Then just bring everyone in, and then you can be the king of that world. This novel is finished, so why write so many things? Again, I don't have any objections to humans or the protagonist's kindness. I simply think that being too kind is equivalent to being a virgin, and I don't really like giving this kind of character, that's all. Some of the reviews I'm talking about are about this book, some things I don't like very much, and some are some thoughts I had when reading other books. They are not specifically directed at any person or book. Finally, because the word count is a bit too much, if. There are some typos, I hope you can understand.

Damn, is the halo of the heroine too big? First, let's talk about the heroine's time travel and rebirth. The original owner is that kind of timid and cowardly person. But since the heroine time traveled to the original owner. Her personality had changed so much that no one noticed the problem, and the villagers stopped talking. But what about Ye Shanshan? The second point: In order to better cultivate the relationship between the heroine and the hero, it is not a big deal for the heroine to live in the hero's house after the separation. However, after the heroine knew that the hero was back, her first reaction was not to find another place or something. Even if the heroine has traveled from the 21st century, her thoughts are a bit avant-garde. But in this 1970s, when folk customs were not open, wouldn't those village names say anything? The third point: Take the matter of Dahua as an example. The heroine has many ways to vent her anger on Dahua, but you have to let her go to the village chief to report the educated youth's failed attempt at sexual intercourse. And when you reported it, you went to the educated youth center to find someone with great fanfare. In the 1970s, didn't they ruin people's reputations? Point 4: At that time, the heroine went to buy a bicycle with great fanfare. She is also afraid that others will find out where her money comes from. But that's okay, as long as it was given by the male protagonist, it doesn't matter much. But aren't you just making people jealous?

The heroine is so holy, I can't stand it any longer. She's a weak one and there are loopholes in the beginning. The heroine is not introduced at all. There are many loopholes in the book. The villain's character is not likeable from the beginning. A person who has been hurt since childhood should be weak, but after being saved by the heroine, his tone is super aggressive. I feel that it is my fault if I am not good to you. Everything is the same as it should be. I hope the author can improve it. Farewell

I'm very confused. The book says that this space supermarket was acquired by Ye Xiaobei before, and he lived a prosperous and wealthy life through this supermarket. How come he got to Ye Xiaomeng's place, where he has to complete all kinds of love and tasks? Or just erase it? Can't you even say it? Why is it so hard to bully a good person?

Why are so many people reborn? It's boring.

I feel that Ye Xiaomeng is a bit procrastinating in doing things and asking questions when doing things. It would be a disaster to keep a top talent like Ye Xiaobei. It is estimated that Ye Xiaobei will change his life, which is also a death rhythm.

Ye Xiaomeng is a little too confident. Although she is wearing a book, the heroine Ye Xiaobei knows everything she has experienced, right? Now Ye Xiaobei is also reborn, and there is a magic stick to help change his fate? What are you doing when two people are reborn in just one book? Can a scumbag be reborn?

In other words, Ye Xiaomeng's life was changed by the vicious and cruel stepsister in her previous life, so she got a life that belonged to Ye Xiaomeng. I hope Ye Xiaomeng can get this hatred back with all the money and profits!

Ye Xiaomeng was kicked in the head by a donkey, wasn't he a book wearer? Don't know the plot? The system is just a decoration, right? Damn it, Holy Mother

Xiaomeng, did you say the opposite?