
Red Mansion: Power Dominates the World, Daiyu and I Can Hold it Together
by Liu Xiangbei
About This Novel
[It is recognized that Daiyu has a plump character and delicate descriptions, making her the first heroine. It is suitable for Daiyu Party and Red Mansion lovers to read] [Daiyu heroine + Jinchai interactive garden drama + sweet and delicate emotions + semi-imaginary late Ming history + respect for the original characters + non-stallion] [The group of golden hairpins with emphasis on Daiyu, taking the troubled times as the historical background, describes the ups and downs of the Red Mansion in the era of change] [Not a vase heroine, not a brainless harem, not a wretched male protagonist, not a conspiracy theory, it is a reasonable deduction of the involvement of characters in the Red Mansion in troubled history] Nuwa's refining of stones has become absurd, and she is acting like a fool again. This is a matter of past and present life, who will remember it to make a legend? Traveling through the world of Red Mansions, the government is on the sidelines, the reputation is ruined, and the family has no money left. The new dynasty won the country improperly, and there are many cronies in the court. The end of the world is coming, and the building will collapse. The beauty in the Red Mansion is extremely beautiful, but she cannot escape the misery of her life in the boudoir. Use a three-foot sword to control the world, lie drunk on the knees of a beautiful woman, wake up and take control of the world, and create a bright and prosperous world. The beauty of the country, a drunken dream A fierce warrior and an iron horse, swallowing thousands of miles with anger Many years later, Lin Daiyu, who was leaning on the railing and meditating, living quietly in the depths of Tongting, used a Xiangzhu spotted tube as a pen and wrote on the Yunjin gold foil paper in Ninghui Hall: Zi Chen always holds the dew in his eyes at night, and still remembers the warmth of Feng Meng...
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Official(1)Scraped 1mo ago
I voted for Chapter Monthly, and I have to say that there are some minor flaws in the front, but the writing style and insights are really good, especially the views on Sister Lin, which makes Mr. Cao very happy.
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Community(0)
Official(1)Scraped 1mo ago
I voted for Chapter Monthly, and I have to say that there are some minor flaws in the front, but the writing style and insights are really good, especially the views on Sister Lin, which makes Mr. Cao very happy.
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It's been a long time since I've come across an article like this that gives me a hearty feeling after reading it in one sitting. The writing and storyline are great, and the characters are vividly drawn. I like this type of article very much. Vote for it, come on!




The writing style is delicate, complex but not verbose, and the psychological descriptions of many characters are more three-dimensional, with distinctive personalities and reasonable emotions. After reading it, it makes people think about it and recommend it.




Not bad, not bad. It has a touching plot. No matter when I read, it is hard to hope that the author can keep writing at such a high level. I have collected it!



2026.6.1 Originally titled "The Red Mansion: Rebirth of Jia Rui, Iron-Blooded Romance", it is a sincere work that takes on the background of the late Ming Dynasty. The heroine is centered on Daiyu, with Baochai, Tanchun, Xiangyun, Baoqin and others focusing on the portrayal. The level of portrayal of each heroine is also very high. The early stages of this book were not very well written, and the author himself admitted that he imitated several popular Red Mansions novels at the beginning (I can vaguely see the shadow of "Turning the Sky"), but the effect was not ideal. The turning point occurred in about the middle period - the author found that he had given up on the street, so he simply stopped imitating and wrote according to his own understanding of Red Mansions. As a result, I got better and better, writing my own flavor. Daiyu in this book is the absolute heroine, and her portrayal is in line with Empress Changsun of Emperor Taizong of the Tang Dynasty and Empress Ma of Emperor Taizu of the Ming Dynasty. On the one hand, it retains the "love" quality of the original work, and on the other hand, under the encouragement of the protagonist, it continues the growth path that was cut off by fate in the first eighty chapters, and gradually becomes the most solid support behind the protagonist. It is worth mentioning that this book does not have the strong female rivalry flavor found in traditional Red Mansion novels. The author's portrayal of each female character is more about carrying forward Cao Gong's original intention - to write a biography for the boudoir, pay attention to their growth, and make them a powerful support for the protagonist, rather than a jealous tool. In addition, the author has comments at the end of almost every chapter to share his understanding of the characters in Red Mansions and his writing ideas for this paragraph. It is very interesting to follow the annotations and read them.













