Reborn in the Millennium, I Am the Director

I really can't help but comment, does the author really not check the information when writing a novel? There are too many poisonous points. You don't even understand the basic rules of the three major European film festivals and you write it. I am convinced. The writing is almost okay. You can be tolerant to new authors, but it is really unreasonable for you to read without checking the basic information. Especially when I saw that I starred in Comet and won the Cannes Best Actress Award, and the protagonist won the Best Director. I can no longer complain, and I died of poison.

The novel really describes Huayi as invincible. In 2000, Huayi was nothing. The big and small kings were not considered high-class in the Beijing circle. Take a look at the experiences of Wang Shuo and Uncle Ge. Neither of them returned to China when they were eager to see the crowd empty. Speaking of money, the movies of those years were just that. Movies directed by Hong Kong directors basically lost money. Good box office costs were higher. Feng Xiaogang did not make money with every movie, and he could only make one movie every two years. Artists also made money. It's not much. It's mostly a small profit that can be used to fill the holes in the movie. In 2005, Wang Jinghua left Huayi and almost ended. Don't think it's okay as the king said. It was not easy to create stars in that era. The randomness was too high. It was impossible to fill the vacancies at once with so many artists leaving at once. Even Feng Xiaogang had left. If it weren't for the insurance above, Chengtian led other companies to buy the media Huayi and it would have been over. In addition, Huayi had a lot of dirty information. Also, Han Sanping will not allow Huayi to be a top director, even if he has never worked with him before. There are only a few big commercial directors in the country. In his heart, the value of big and small kings may not be as high as that of Feng Xiaogang.

Comet, which is neither literary nor commercial, can dominate Cannes the night it comes, and a screen with a long face cannot accommodate actors and actresses who can win the Best Actress. Now Internet article authors really dare to write!

Let's check the data. A movie that won an award only sold $1.2 Million? Not even a fraction of the normal price.

The actress who won the Best Actress Award for the movie Comet must have had a lot of wisdom. The author has seen the original film. What kind of performance does the heroine need? . . .

It's a bit like a safe road guide, but it's too poisonous in some ways. It doesn't feel like an entertaining novel at all. Just watching it makes me feel aggrieved. Moreover, the protagonist is sometimes calm and nervous about some things. It feels like so much of the world has been wasted.

If you go too far in writing about patriotism, it will look very dramatic. One second you are writing about entertainment and movies, etc., And the next second you switch to patriotism and various officialdom dialogues. This is entertainment and entertainment, not a science and technology article.

I can't resist this photo of Zeng Li.

Kungfu is Chinese, and so are pandas, but Kung Fu Panda is from Hollywood. Kung Fu Panda started its project in 2002, and it took a few years to seize the IP and wait for production. First draw a short comic and publish it, or make a short animation to exhibit in Europe, in short, just get it out first.

Since chapters 8-9 are written about directors, why is the filming process so simple? I'll give it full stars first and let's see how the next chapters go.