Infinite Puzzle City

You died before you were born because of your destiny. Your parents sacrificed themselves to save you. Someone smashed your life lock. You went to the underworld and died once. But the old monster told you that you have to change your life. Your life is not good. This is what the protagonist actually thinks. If you don't believe in fate, why don't you go to the underworld and fake your death? No matter what happened, he would not say anything whether he was alive or dead. To Mrs. Gao and Grandpa, they didn't ask any questions and just made wild guesses. Is the protagonist a sociopath? No! Licking Dong Chang is very good! But even if I ask Grandpa, I won't ask.

It was okay until Chapter 323. In Chapter 323, I fell in love with Gao Yuting for no reason. Then there was a new heroine for no reason. In Chapter 330, I went to bed with her directly. When I was in love, I wrote it very much like the Suspension Bridge Effect. It didn't feel like true love at first sight, it was just the feeling of being relieved of the crisis and then seeing something beautiful. The relationship seemed particularly abrupt.

Unlimited postman is good. Later, the Infinite Script Killer and this Infinite Maze were neither fish nor fowl, and reincarnation had to include fairies and ghosts. Instead of writing a good reincarnation, we made these messes. Difference

After a brief look at it, I personally feel that it is a piece of work. It is not as good as the horror postman and wireless scripts written by the author in the past. I don't know if it is because I am more discerning now or because there is something wrong with the author's writing. In folklore novels, I personally think that the most important thing is the pursuit of strangeness, and it is best if it can be combined with a certain degree of moral education. (This is difficult to grasp. If the author is not experienced, it can easily become a tasteless sermon.) However, the author likes to set up a power system, and then relies on the protagonist to climb in this system to gain a sense of satisfaction. This makes this article essentially no different from other fantasy novels. In other words, I personally think that storytelling is the first priority in folklore novels, and writing the folklore plot is the most important, followed by killing monsters and upgrading. Simply changing the upgraded template and applying it is certainly labor-saving, but good works require careful polishing. I also recommend two excellent folklore novels, Seventy-two Transformations of Earthly Demons and Playing with Ghosts and Gods.

Really, many people never use their brains when reading novels. Even if they don't, they still like to read mysteries. If they can't understand it, they blame the author for writing problems. The outline of the idea should not be too cumbersome to describe the details that the author needs for this kind of subject. There is no problem with the writing. The overall story can be read smoothly. More than 99% of novels are written, and there are so many mindless and cool articles that I feel like vomiting after reading them. The authors do not need to use their brains to write, and the readers do not need to use their brains to read. There are even some articles that look like they were written by AI at a glance, but a group of fools think they are good. I really feel that the current novel readership is too outrageous. Especially those who think it doesn't look good because they don't understand it, and they make comments to tell others not to read it, they are extremely naughty.

The protagonist is so stupid that it feels like he would have died long ago. He didn't do anything to provoke Huang Chao in Chang'an City. He killed the dragon in the underground palace. When someone took a gun, he was surprised and asked where it came from? The protagonist's magical profession also includes visiting the underworld and the Changchun Society. Don't you know how to check out hot weapons? Take a knife and chop down the stone objects there. You have such a big space to hold all the corpses and food! Are you ready to eat when you enter the dungeon? The protagonist looks down on this and that, and he is indeed a man with high ambitions and low abilities.

I have read the previous few books by Guo Shui, and I have also read this one elsewhere. I can only say that character creation is Guo Shui's flaw. I feel that a character can be described in the early stage in the form of labels, and then some of the principles for describing characters in the later stage are similar to Zhao Ke's principle of keeping promises. By the way, Guo Shui really likes cooks. Wu Man and Zhao Ke are both chef names, and they all come from Wu Gou, Shuang Xueming, Zhao Ke, Man and Hu Ying. In this poem, I feel that Guo Shui still can't forget his dream of a big world.

It feels inexplicable, and a female protagonist suddenly appears without any emotional development. I'm afraid I'm really hungry. Also, I found that the author always likes to write about the underworld, and also likes to write about his elders who have energy in the underworld. Finally, I suspect that it is the same as the author's other book. The protagonist's parents are powerful, and he was born in hiding to save his son. It's all the same and you can't jump out of this well.

I wonder if I will inexplicably recognize an ancestor again later and treat him as a filial son! ! ! He is closer than his biological father, and may not be that kind to his biological ancestors! ! !

Write the dungeon first, and then how to enter the dungeon, then you will have the desire to read it. The golden 3 chapters are all nonsense.